Atkins, Chet. (Country music guitarist, 11 Grammy awards; d. 2001)



Descargar 365.52 Kb.
Página4/7
Fecha de conversión01.07.2017
Tamaño365.52 Kb.
1   2   3   4   5   6   7

Huyssen, Andreas. "Mapping the Postmodern." 1984. In A Postmodern Reader. Ed. Joseph Natoli and Linda Hutcheon. New York: SUNY Press, 1993. 105-56.

Jackson, Dennis. "David Lodge." In British Novelists since 1970, Part 2: A-Z. (Dictionary of Literary Biography). 14: 469-81. Detroit: Gale Research Press, 1983.

Kent, Thoman. "Hermeneutics and Genre: Bakhtin and the Problem of Communicative Interaction." In Landmark Essays on Bakthin, Rhetoric and Writing. Ed. Frank Farmer. New Jersey: Hermagoras Press, 1998. 33-51.

Klopp, L. S. "School for Scandal: David Lodge's Sexy Sagas." Voice Literary Supplement (oct. 1989): 29-30.

Pix, Mary (b. Mary Griffith, Nettlebed, Oxfordshire; 1666, daughter of an Anglican minister, m. George Pix 1684, 1 daughter who died as a child).

_____. Ibrahim, the Thirteenth Emperor of the Turks. Tragedy. Prod. Drury Lane May 1696. (Ibrahim XII). Revived 1702, 1704, 1715.

_____. The Inhuman Cardinal, or Innocence Betrayed. Novel. c. 1696.

_____. The Spanish Wives. Farce. Staged at Drury Lane, Aug. 1696. Revived early 18th.

_____. Alas! When Charming Sylvia's Son 1697.

_____. The Innocent Mistress. Comedy. Lincoln's Inn Fields, June1697, by Betterton, Barry, Bracegirdle.

_____. The Deceiver Deceived. Comedy. 1698.

_____. (Tragedy on Queen Catherine, widow of Henry V). June/July 1698.

_____. The False Friend, or The Fate of Disobedience. Tragedy. Lincoln's Inn Fields, May 1699.

_____. The Beau Defeated, or The Lucky Younger Brother. Comedy. Lincoln's Inn Fields, March 1700. (Social climbing, snobbery).

_____. To the Right Hon. The Earl of Kent… This Poem. 1700.

_____. The Double Distress. Tragedy. Staged March 1701.

_____. (attr.). The Czar of Muscovy. Tragedy. Lincoln's Inn Fields Company, c. March 1701.

_____. The Different Widows, or Intrigue à la Mode. Comedy. Staged Nov. 1703.

_____. Violenta, or The Rewards of Virtue. Novella. 1704. (Trans. from Boccaccio, Decameron 2.8).

_____. The conquest of Spain. Tragedy. Staged Queen's Theatre, Haymarket, May 1705.

_____. The Conquest of Spain. (Pub. anonymously).

_____. The Adventures in Madrid. Comedy. Haymarket, June 1706.

Centlivre. The Busy Body. Drama.

Powell, George. The Imposture Defeated. Comedy. Drury Lane, Sept.1697. (partly plagiarized from Mary Pix's The Deceiver Deceived)..

Congreve. Congreve's Comedies. Ed. Patrick Lyons.

Barber, C. L. "Introduction: The Saturnalian Pattern." In Barber, Shakespeare's Festive Comedy. Princeton (NJ): Princeton UP, 1972.
Barber, C. L. "Holiday Custom and Entertainment." In Barber, Shakespeare's Festive Comedy. Princeton (NJ): Princeton UP, 1972.

Barber, C. L. "Misrule as Comedy, Comedy as Misrule." In Barber, Shakespeare's Festive Comedy. Princeton (NJ): Princeton UP, 1972.

Barber, C. L. "Prototypes of Festive Comedy in a Pageant Entertainment: Summer's Last Will and Testament." In Barber, Shakespeare's Festive Comedy. Princeton (NJ): Princeton UP, 1972.

Barber, C. L. "The Folly of Wit and Masquerade in Love's Labour's Lost." In Barber, Shakespeare's Festive Comedy. Princeton (NJ): Princeton UP, 1972.

Barber, C. L. "May Games and Metamorphoses on a Midsummer Night." In Barber, Shakespeare's Festive Comedy. Princeton (NJ): Princeton UP, 1972.

Barber, C. L. "The Merchants and the Jew of Venice: Wealth's Communion and an Intruder." In Barber, Shakespeare's Festive Comedy. Princeton (NJ): Princeton UP, 1972.

Barber, C. L. "Rule and Misrule in Henry IV." In Barber, Shakespeare's Festive Comedy. Princeton (NJ): Princeton UP, 1972.

Barber, C. L. "The Alliance of Seriousness and Levity in As You Like It." In Barber, Shakespeare's Festive Comedy. Princeton (NJ): Princeton UP, 1972.

Barber, C. L. "Testing Courtesy and Humanity in Twelfth Night." In Barber, Shakespeare's Festive Comedy. Princeton (NJ): Princeton UP, 1972.

Coward, Rosalind, and John Ellis. "The Philosophical Context." In Coward and Ellis, Language and Materialism: Developments in Semiology and the Theory of the Subject. 1977. London: Routledge, 1980. 1-11.*

Coward, Rosalind, and John Ellis. "Structuralism." In Coward and Ellis, Language and Materialism: Developments in Semiology and the Theory of the Subject. 1977. London: Routledge, 1980. 12-23.*

Coward, Rosalind, and John Ellis. "Semiology as a Science of Signs." In Coward and Ellis, Language and Materialism: Developments in Semiology and the Theory of the Subject. 1977. London: Routledge, 1980. 25-44.*

Coward, Rosalind, and John Ellis. "S/Z." In Coward and Ellis, Language and Materialism: Developments in Semiology and the Theory of the Subject. 1977. London: Routledge, 1980. 45-60.*

Coward, Rosalind, and John Ellis. "Marxism, Language, and Ideology." In Coward and Ellis, Language and Materialism: Developments in Semiology and the Theory of the Subject. 1977. London: Routledge, 1980. 61-92.*

Coward, Rosalind, and John Ellis. "On the subject of Lacan." In Coward and Ellis, Language and Materialism: Developments in Semiology and the Theory of the Subject. 1977. London: Routledge, 1980. 93-121.*

Coward, Rosalind, and John Ellis. "The Critique of the Sign." In Coward and Ellis, Language and Materialism: Developments in Semiology and the Theory of the Subject. 1977. London: Routledge, 1980. 122-52.*

Coward, Rosalind, and John Ellis. "Conclusion: The Relation of Freud and Marx; Fascism and the Family." In Coward and Ellis, Language and Materialism: Developments in Semiology and the Theory of the Subject. 1977. London: Routledge, 1980. 153-56.*

Laqueur, Thomas. Making Sex: Body and Gender from the Greeks to Freud. 1990. Cambridge (MA): Harvard UP, 1992.

Lehman, Peter. "Penis-size Jokes and Their Relation to Hollywood's Unconscious." In Comedy/Cinema/Theory. Ed. Andrew Horton Berkeley (CA): U of California P, 1991. 43-59.

Lipovetsky, Gilles. L'ère du vide: Essais sur l'individualisme contemporain. Paris: Gallimard, 1983.

_____. La troisième femme: Pemanence et révolution du féminin. Paris: Gallimard, 1997.

_____. La tercera mujer: Permanencia y revolución de lo femenino. Barcelona: Anagrama, 1999.

Lodge, David. How Far Can You Go? Harmondsworth: Penguin, 1981.

_____. Working with Structuralism: Essays and Reviews on Nineteenth- and Twentieth-century Literature. London: Routledge, 1981.*

_____. Working with Structuralism: Essays and Reviews on Nineteenth- and Twentieth-century Literature. Henley: Ark Paperbacks, 1986.

_____. "Graham Greene: A Personal View." TLS 12 April 1991: 9-10.

_____. The Practice of Writing: Essays, Lectures, Reviews and a Diary. London: Secker and Warburg, 1996.

_____, ed. Modern Criticism and Theory: A Reader. Harlow (Essex): Longman, 1988. 1992. 1995.*

Lord, M. G. "David Lodge's Nice Work." Interview (GINT) 20-28 August 1990: 58.

Luhmann, Niklas. Liebe als Passions: Zur Codierung von Intimität. 1982.

_____. El amor como pasión: la codificación de la intimidad. Barcelona: Península, 1985.

Lyotard. "Answering the Question: What Is Postmodernism?" in Postmodernism: A Reader. Ed. Thomas Docherty. Hemel Hempstead: Harvester Wheatsheaf, 1993.

McGonigle, Thomas. "Talking with David Lodge." Newsday 12 April 1992: 34.

Marcuse, Herbert. El hombre unidimensional. Barcelona: Orbis, 1985.

Mardones, José María. Capitalismo y religión: La religión política neoconservadora. Madrid: Sal Terrae, 1991.

Marsal, Juan F. La crisis de la sociología nortemericana. Barcelona: Península, 1977.

Marwick, Arthur. British Society since 1945. 1982. London: Penguin, 1987.

Mews, Siegfried. "The Professor's Novel: David Lodge's Small World." MLN 3 (1989): 713-26.

Wilshire, Bruce. (Professor of Philosophy, Rutgers U). William James and Phenomenology.

_____. The Moral Collapse of the University: Professionalism, Purity, and Alienation.

_____. Role Playing and Identity: The Limits of Theatre as Metaphor. (Studies in Phenomenology and Existential Philosophy). Bloomington: Indiana UP, 1982. Rpt. (Midland Books). Indiana UP, 1991.* (Phenomenology of drama, Oedipus Rex, hamlet, Waiting for Godot, acting, roles, Ionesco, Robert Wilson, Jerzy Grotowski, body, otherness, identity, fictionality, Goffman, life as art, appearance).

Miguel, Amando de. "Sociedad y cultura en los años sesenta." In La década prodigiosa. (Historia 16, Siglo XX; Historia Universal, 31). 7-43.

_____. "La crisis del 68." In El Mayo francés: La crisis del 68. (Historia 16; Siglo XX; Historia Universal, 32). 1985.

Mitchell, Juliet. Woman's Estate. 1971. Harmondsworth: Penguin, 1974.

Moseley, Merritt. David Lodge: How Far Can You Go? San Bernardino: Borgo Press, 1991.

Mosley, Nicholas. "What Are Novels For?" TLS 17 Jan. 1992: 5-6.

Murphy, Peter, ed. Friendship. Special issue of The South Atlantic Quarterly 97.1 (1998). Introd., 1-4.

_____. "Friendship's Eu-topia." In Friendship. Special issue of The South Atlantic Quarterly 97.1 (1998): 169-85.

Nelson, T. G. A. Comedy: The Theory of Comedy in Literature, Drama and Cinema. New York: Oxford UP, 1990.

Newton, Judith L. "History as Usual? Feminism and the 'New Historicism'." In The New Historicism. Ed. H. Aram Veeser. New York: Routledge, 1989. 152-67.

Nightingale, Benedict. "The Tools a Writer Used for Writing an Industrial Novel." The New York Times Sect. C (16 oct. 1989): C15-C19.

Norris, Christopher. "The Modes." Essays in Criticism 32.4 (Oct. 1982): 369-74.

Ommundsen, Wenche. "Sin, Sex, and Semiology: Metafictional Bliss and Anxiety in the Novels of David Lodge." AUMLA: Journal of the Australasian Universities Language and Literature Association 73 (1990): 123-40.

The Oxford English Dictionary. 1933. Oxford: Clarendon Press, 1971.

Pardo, José Luis. La intimidad. Valencia: Pre-textos, 1996.

Parsons, Talcott. "The Present Position and Prospects of Systematic Theory in Sociology." 1954. In Essays in Sociological Theory. New York: Free Press, 1964.

de Peretti, Cristina. Jacques Derrida: Texto y deconstrucción. Barcelona: Anthropos, 1989.

Pérez Henares, Antonio, and Carlos Malo de Molina. Así será España en 1996: Tendencias para un año de cambio. Madrid: Temas de Hoy, 1996.

Poal Marcet, Glòria. Entrar, quedarse, avanzar: Aspectos psicosociales de la relación mujer-mundo laboral. Madrid: Siglo XXI, 1993.

Puleo, Alicia H. "Patriarcado." In Diez palabras clave sobre mujer. Ed. Celia Amorós. Estella: EVD, 1995. 21-55.

Purdie, Susan. Comedy: The Mastery of Discourse. Hemel Hempstead: Harvester Wheatsheaf, 1993.

Alonso Gallo, Laura P., and María del Mar Gallego Durán. Myth and Ritual in African American Literature. (Collectanea). Huelva: U de Huelva, 2001.

Rhustaller, Stefan. Tendencias en la investigación lexicográfica del español. (Collectanea). Huelva: U de Huelva, 2001.

Navarro Tejero, Antonia. Matrimonio y patriarcado en autoras de la diáspora hindú. (Col. Arias Montano). Huelva: U de Huelva, 2001.

Palmer Silveira, Juan Carlos, and manuel Pérez Lavall. Learning English to Trade. Book and CD. Castellón: Publicaciones de la Universitat Jaume I, 2001.

Prado Pérez, José Ramón. Revisiones críticas del teatro alternativo británico: 1968-1990. Castellón: Publicaciones de la Universitat Jaume I, 2001.

Vázquez, G., A. Fernández, M. A. Martí. Clasificación verbal: Alternancias de diátesis. Lleida: Edicions de la Universitat de Lleida, 2001.

Solà, Pere. La metáfora en la poesía de Louis Aragon. Lleida: Edicions de la Universitat de Lleida, 2001.

Hermenegildo, Alfredo. Teatro de palabras: Didascalias en la escena española del siglo XVI. Lleida: Edicions de la U de Lleida, 2001.

López López, Matías. Séneca: Diálogos: La filosofía como terapia y camino de perfección.  Lleida: Edicions de la Universitat de Lleida, 2001.

Pérez Riu, C. La mujer victoriana en novelas inglesas contemporáneas y sus adaptaciones cinematográficas. Oviedo: U de Oviedo, 2001.

Vega González, S. Mundos mágicos: La otra realidad en la narrativa de autoras afroamericanas. Oviedo: U de Oviedo, 2001.

Cabré, M. Teresa, and Judit Feliu, eds. Terminología y cognición. Barcelona: Institut Universitari de Lingüística Aplicada, U Pompeu Fabra, 2001.

Cabré, M. Teresa, Lluis Codina and Rosa Estopá, eds. Terminologia i documentació. Barcelona: Institut Universitari de Lingüística Aplicada, U Pompeu Fabra, 2001.

Gómez Gómez, Jesús. Individuo y sociedad en las comedias de Lope de Vega. (Estudios). Madrid: U Autónoma de Madrid Ediciones, 2000.



Edad de Oro 20 (1999): "La novela picaresca". U Autónoma de Madrid Ediciones.

Náñez Fernández, Emilio. Diccionario de construcciones sintácticas del español: Preposiciones. (Estudios). Madrdi: U Autónoma de Madrid Ediciones, 2001.



Años de fuego, lustros de lluvia. La Laguna: U de La Laguna, 2001. (British and US lit., 1960s).

Díaz Bild, Aída. Humor y literatura: Entre la liberación y la subversión. La Laguna: U de La Laguna, 2001. (Kate Atkinson, Behind the Scenes at the Museum, novel, 1995; Frank McCourt, Angela's Ashes, 1996; Roddy Doyle, The Woman who Walked into Doors, novel, 1996; Graham Swift, Last Orders).

Martín González, Matilde. La condición femenina y feminista de Adrienne Rich. La Laguna: U de La Laguna, 2001.

Rich, A. (1927). The Will to Change. 1971.



Cuadernos de Filología Clásica 10 (U Complutense de Madrid, 2000).

Fumaroli, M., Y. Bonnefoy, H. Weinrich, and M. Zink, eds. Identité littéraire de l'Europe. 2000.



Vladimir Nabokov: un programa de Bernard Pivot. Recorded May 1975. (Los monográficos de "Apostrophes" 1). VHS. Barcelona: Editrama, 2001.

Lero, Étienne. (Martinique poet, Marxist surrealist Négritude theorist), ed. Légitime Défense. Single-number review. 1932.

Césaire, Aimé. (Martinique, b. 1913), Léopold Sédar Senghor (Senegal, b. 1906; first president of the Republic of Senegal), and Léon-Gontran Damas (Guyana, 1912-1978). LÉtudiant noir.

Damas, Léon-Gontran. Pigments. Poems. Preface by Robert Desnos. 1937.

Césaire. Cahier d'un retour au pays natal. Poems. Written 1935, pub. Paris, 1939. As book, preface by André Breton, 1947.

Senghor. Chants d'ombre. Poetry. 1945. (Black Africa).

_____, ed. Anthologie de la nouvelle poésie nègre et malgache de langue française. Introd. ("Orphée Noir") by Jean-Paul Sartre. 1948.

Sartre. "Orphée Noir." Rpt. in Situations, III.

U of Dakar founded 1957.

U of Abidjan founded 1963.

Diop, Birago (1906-1989). Les Contes d'Amadou Koumba. Stories. 1947.

Dadié, Bernard. (b. 1916). Légendes africaines. 1953.

Zinsou, Sénouvo Agbota. (Togolese National Theatre Director). La Tortue qui chante. Drama.

_____. Les Aventures de Yévi au pays des monstres. Drama.

_____. Interview on black drama by Renée Larrier. Contemporary French Civilization (1990).

Maran, René (Black French writer, b. Caribbean, 1887-1960). Batouala. Novel. (Prix Goncourt 1921). (Vs. colonialism).

Sembène, Ousmane (Black novelist and filmmaker, b. 1923). Le Docker noir. Novel. 1956.

_____. Les Bouts de bois de Dieu. Novel. 1960.

_____. Le Dernier de l'Empire. Novel. 1981.

Dadié, Bernard. Un nègre à Paris. Novel. 1959.

Kouroumba, Ahmadou. (b. 1927). Les Soleils des Indépendances. Novel. 1968. (Decolonization).

Fanon, Frantz. (1925-1961; b. Martinique, st. medicine and psychiatry in France, w. Algeria during uprising). Peau noire, masques blancs. 1952.

_____. L'an V de la révolution algérienne. 1959.

_____. Les Damnés de la terre. 1961.

Feraoun, Mouloud. (Algerian novelist, 1913-1962). Le Fils du pauvre. Novel. 1950.

_____. Journal, 1955-62. 1962.

Dib, Mohammed. (Algerian novelist, b. 1920). Algérie. Novel trilogy: La Grande Maison, 1952; L'Incendie, 1954; Le Métier à tisser, 1957.

_____. Qui se souvient de la mer. Novel. 1962.

Mammeri, Mouloud (Algerian novelist, 1917-1989). L'Opium et le bâton. Novel. 1965.

Djebar, Assia. (Algerian novelist, b. 1936). Les Enfants du nouveau monde. Novel. 1962.

_____. Les Alouettes naïves. Novel. 1967.

Yacine, Kateb. (Algerian novelist, 1929-1989). Nedjma. Novel. 1956.

_____. Le Cercle des représailles. Dramatic trilogy, 1959: Le Cadavre encerclé, la Poudre d'intelligence, Les Ancêtres redoublent de férocité.

_____. L'Homme aux sandales de caoutchouc. Drama. 1971. (Vietnam, vs. colonialism).

_____. Mohammed prends ta valise. Drama (in Algerian Arabic). Staged 1972.

Lemsine, Aïcha. (Algerian woman writer, b. 1942). Ciel de porphyre. 1978.

Djebar, Assia. Femmes d'Alger dans leur appartement. 1980.

_____. L'Amour, la fantasía. Novel. 1985.

Gallaire, Fatima. (Algerian woman writer, b. 1944, Prix Arletty 1990). Princesses, ou Ah! Vous êtes venus . . . là où il y a quelques tombes. Drama. Staged New York, 1988, Théâtre Nanterre-Amandiers, Paris, 1991.

_____. Les Co-épouses. DRama. Staged Théâtre du Lierre, Paris, 1991.

Condé, Maryse. (West Indian French post-colonial critic and writer, b. Guadeloupe, 1937). Le Roman antillais. Criticism. 1977.

_____. La Poésie antillaise. Criticism. 1977.

_____. Ségou 1: Les Murailles de terre. Fiction. 1984.

_____. Ségou 2: La Terre en miettes. Fiction. 1985.

_____. Moi, Tituba, sorcière . . . Noire de Salem. Fiction. 1986.

_____. Les Dernières Rois mages. Fiction. 1992.

_____. Heremakhonon. Fiction. 1976.

Césaire, Suzanne. Tropiques. Review. 1941.

Glissant, Édouard. (West Indian French writer, b. 1928). La Lézarde. Novel. (Prix Renaudot, 1958).

Oruno-Lara. (Black Caribbean French writer). Questions de couleur: blanches et noirs. Novel. 1923.

Zobel, Joseph. (Martinique novelist).

Schwarz-Bart, Simone (b. Guadeloupe, 1938) and André Schwarz-Bart (b. Poland). Un plat de porc aux bananes vertes. Novel. 1967.

Schwarz-Bart, André. La Mulâtresse Solitude. Novel. 1972. (Caribbean slaves).

Schwarz-Bart, Simone. Pluie et vent sure Télumée Miracle. 1972.

Rolland, Pauline. (French radical leader, 1848, deported to Algeria after 1852).

Fiovio, Paolo (of Venice; called Paulus Venetus). Descriptiones Regionum atque Locorum. 1561.

Olaus Magnus. Historia de Gentibus Septentrionalibus. 1555. Abbreviated English trans. 1658.

Niremberg, Juan Eusebio. Curiosa filosofía y tesoro de maravillas de la naturaleza. (Spanish ed.).

_____. Historia naturae. 1635.

Dioscorides Facas. (Physician at Cleopatra's court).

Dioscorides Pedanius. (Roman army physician, under Claudius and Nero). Materia medica. 1549. 1598.

_____. (Materia medica). French ed. and trans. P. A. Mattioli. 1572.

Galen. De simplicium medicamentorum temperamentis ac facultatibus.

Oribasius. (Physician, 4th c.). In Medicae artes Principes. Ed. Henri Estienne.

Aecius. (Physician, 5th c.). In Medicae artes Principes. Ed. Henri Estienne.

Alexander of Tralles (Physician, 6th c.). Epistola de lumbricis. In Opuscula Aurea. Ed. H. Mercurialis.

Serapion. (Attr.). Practica. 9th c. (Medicine).

Serapion (Attr.). De simplicibus medicamentis. 12th c. (Medicine).

Marbodus. (Bishop of Rennes, 12th c.). De gemmis. Attributes original to "Evax", supposed king of Arabia.

Marcellus Empiricus. (4th c., physician). n Medicae artes Principes. Ed. Henri Estienne.

Holland. Pliny. English trans. 1634.

Trajan. Roman emperor 98-117.

Ardoinys, S. de. (fl. c. 1430). De Venenis. Printed 1562.

Grevin. Des Venins. 1568.

Opianus. (2nd c.). (Treatise of fishing). Latin trans. and ed. Ritterhusius. 1597.

Philes, Immanuel. (Bizantium, 13th c.). De animalium proprietate.

Tzetzes. Chiliades: De varia historia.

_____. (Commentary on the Iliad).

Basilius the Great. (Capadocia). Hexamerones. 4th c. (On Creation).

Ambrosius (Bishop of Milan). Hexamerones. 4th c. (On Creation).

Isidore. De Originibus. 1577 ed.

Albertus Magnus. (Attr., erroneously). Liber Aggregationis. Trans. as Book of Secrets, pre-1550.

Beauvais, Vincent de. (c. 1190-1264). Speculum mundi.

Aneponymus, G. Philosophia mundi.

Johannes de Cuba. (The Garden of Health). Herbal, based on Albertus Magus' Physiologus and Isidore.

Glanvill, Bartholomaeus (Bartholomaeus Anglicus). De Propietatibus rerum. Based on Isidore and Pliny.

Swift. "To the Athenian Society." Ode. Written Feb. 1692.

_____. "To Congreve." Poem. Written nov. 1693.

_____. (Attr.). "A Description of Mother Ludwell's Cave." Poem. In Middleton Murry, Jonathan Swift. 45-47.*

_____. "Occasioned by Sir William Temple's Illness and Recovery." Poem. Written Dec. 1693.

Temple. Essay on Ancient and Modern Learning. 1690.

Wotton, William. 'Reflections on Ancent & Modern Learning." Philosophical Transactions 18 (Jan. 1695). 2nd ed. with Bentley's Dissertation (June, 1697).

Boyle, Charles (Christ Church, Oxford). Dr. Bentley's Dissertation examin'd by the Hon. Charles Boyle Esq. (Written with Atterbury).

Temple. "On Poetry."

_____. "The Force of Custome." Early essay.

Nebra, José de. (José Melchor Baltasar Gaspar de Nebra Blasco, Spanish composer, 1702-1768; b. Calatayud, court musician at Madrid). Music for Calderon's La Vida es Sueño.

_____. De los hechizos de amor la música es el mayor y el montañés en la corte. Zarzuela. Libretto by José de Cañizares. 1725.

_____. Más gloria es triunfar de sí, o Adriano en Siria. Libretto by Metastasio.

_____. Llave de la modulación. 1762. (Musical theory).

_____. Misa de Requiem for Barbara de Braganza 1758.

_____. No todo indicio es verdad y Alexandro en Asia. Zarzuela.

_____. Viento es la dicha de Amor. Zarzuela in two acts. Libretto by Antonio de Zamora (1660/64-1740?). 1743, 1752.

_____. Viento es la dicha de Amor. Maite Arruabarrena, Marta Almajano, Raquel Pierotti, María del Mar Doval, Pilar Jurado. Coro Capilla Peñaflorida; Ensemble Baroque de Limoges / Christophe Coin. 2 CDs. Audivis France, 1996.*

Zamora, Antonio de. (1660-1728; b. Madrid; gentleman of the chamber for Charles II). No hay plazo que no se cumpla ni deuda que no se pague y convidado de piedra. Drama. (Don Juan).




Compartir con tus amigos:
1   2   3   4   5   6   7


La base de datos está protegida por derechos de autor ©bazica.org 2019
enviar mensaje

    Página principal