Beginnings, Exposition, Openings



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A Bibliography of Literary Theory, Criticism and Philology



http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html

by José Ángel García Landa

(University of Zaragoza, Spain)

Beginnings, Exposition, Openings

Abbott, H. Porter. The Cambridge Introduction to Narrative. Cambridge: Cambridge UP, 2002.* (Frames).

Amorós, Andrés. "Comienzos de novela." (El arte). In Amorós, Momentos mágicos de la literatura. Madrid: Castalia, 1999. 285-92.*

Backus, Joseph M. "'He Came into Her Line of Vision Walking Backward': Nonsequential Sequence-Signals in Short Story Openings." Language Learning 15 (1965): 67-83.

Bonheim, Helmut. "How Stories Begin: Devices of Exposition in 600 English, American and Canadian Short Stories." REAL: Yearbook of Research in English and American Literature 1 (1982): 191-226.*

Gray, Douglas. "Ends and Beginnings in the Earlier Sixteenth-Century Drama." In SEDERI VI. Ed. Ana María Manzanas Calvo. N.p.: SEDERI, 1996. 75-91.*

Hentea, Marius. "The Forms and Functions of Back Story in the Novel." Narrative 18.3 (October 2010): 347-66.*

Klapp, O. Openings and Closings. New York: Cambridge UP, 1978.

Lacey, Nick. "Once upon a Time: Openings." In Lacey, Narrative and Genre. Houndmills: Macmillan, 2000. 6-13.*

McAdams, Dan P. "9. Generating New Beginnings." In McAdams, The Stories we Live By. New York: Guilford Press, 1993. 223-50.*

Miller, J. Hillis. "Four: Beginnings." In Miller, Reading Narrative. Norman: U of Oklahoma P, 1998. 57-60.*

Murari Pires, F. "Prologue historiographique et proème épique: Les principes de la narration en Grèce ancienne." Quaderni di Storia 58 (2003): 73-94.

Nuttall, A. D. "The Sense of a Beginning." In Nuttall, Openings: Narrative Beginnings from the Epic to the Novel. Oxford: Clarendon, 1992. 201-32.*

_____. "The Sense of a Beginning." In Narrative Dynamics: Essays on Time, Plot, Closure, and Frames. Ed. Brian Richardson. Columbus: Ohio State UP, 2002. 267-71.*

Pettersson, Bo. "3. Kinds of Unreliability." In Pettersson, How Literary Worlds Are Shaped: A Comparative Poetics of Literary Imagination. Berlin and Boston: Walter de Gruyter, 2016. 78-109.* (Focalizers, Narrators, Exposition).

Rabinowitz, Peter. "Reading Beginnings and Endings." In Narrative Dynamics: Essays on Time, Plot, Closure, and Frames. Ed. Brian Richardson. Columbus: Ohio State UP, 2002. 300-13.*

Richardson, Brian. ed. Narrative Beginnings: Theories and Practices. (Frontiers of Narrative). Lincoln: U of Nebraska P, 2009. (Essays by Oliver Buckton, Philippe Carrard, Melba Cuddy-Keane, Marilyn Edelstein, Patrick Colm Hogan, Armine Kotin Mortimer, Gaura Narayan, James Phelan, Carlos Riobo, Catherine Romagnolo, Susan Winnett, et al.)

http://www.nebraskapress.unl.edu/product/Narrative-Beginnings,673979.aspx

2011


Said, Edward. Beginnings: Intention and Method. Baltimore: Johns Hopkins UP, 1975.* 1985.

_____. Beginnings: Intention and Method. New York: Basic Books, 1975.

_____. "Beginnings." In Narrative Dynamics: Essays on Time, Plot, Closure, and Frames. Ed. Brian Richardson. Columbus: Ohio State UP, 2002. 256-66.*

Staley, Thomas F. "A Beginning: Signification, Story, and Discourse in Joyce's 'The Sisters'." Genre 12 (1979): 533-49.

Sternberg, Meir. Expositional Modes and Temporal Ordering in Fiction. Baltimore: Johns Hopkins UP, 1978.

_____. Expositional Modes and Temporal Ordering in Fiction. Bloomington: Indiana UP, 1993.



_____. "What Is Exposition? An Essay in Temporal Delimitation." Selection. In Narratology: An Introduction. Ed. Susana Onega and José Angel García Landa. London: Longman, 1996. 103-14.*


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