English woman of letters, modernist writer and forerunner of feminist criticism, b at High Park Gate as Adeline Virginia Stephen, daughter of Leslie Stephen and Julia Duckworth



Descargar 147.28 Kb.
Página1/4
Fecha de conversión06.05.2017
Tamaño147.28 Kb.
  1   2   3   4
from

A Bibliography of Literary Theory, Criticism and Philology



http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html

by José Ángel García Landa

(University of Zaragoza, Spain)


Virginia Woolf (1882-1941)

(English woman of letters, modernist writer and forerunner of feminist criticism, b. at High Park Gate as Adeline Virginia Stephen, daughter of Leslie Stephen and Julia Duckworth; l Bloomsbury 1904-, nucleus of the "Bloomsbury Group" of intellectuals and artists; contributor toTLS; m. Leonard Woolf 1912; leading modernist novelist and critic; loving friendship with V. Sackville-West; frequent mental disturbances; committed suicide by drowning in the Ouse, Sussex)




Works
Woolf, Virginia. "The Feminine Note in Fiction." Rev. of W. L. Courtney's The Feminine Note in Fiction. London: Chapman and Hall, 1904. Guardian 25 January 1905. Rpt. in Woolf, A Woman's Essays. 3-4.

_____. "The Decay of Essay-Writing." Academy and Literature 25 February 1905. Rpt. in Woolf, A Woman's Essays. 5-7.

_____. "The American Woman." Rev. of Elizabeth McCracken's The Women of America. Macmillan, 1904. Guardian 31 May 1905. Rpt. in Woolf, A Woman's Essays. 8-10.

_____. The Voyage Out. Novel. 1915.

_____. The Voyage Out. Ed. Lorna Sage. Oxford: Oxford UP.

_____. The Voyage Out. Ed. Elizabeth Heine. London: Vintage.

_____. The Voyage Out. Ed. C. Ruth Miller and Lawrence Miller. (Shakespeare Head Press Editions of Virginia Woolf). Oxford: Blackwell, 1996.

_____. La Traversée des apparences. Paris: Flammarion, 1977. (1st novel).

_____. "Women Novelists." Rev. of R. Brimley Johnson's The Women Novelists. Collins, 1918. TLS 17 October 1918. Rpt. in Woolf, A Woman's Essays. 11-14.

_____. "Kew Gardens." Story. 1919. In Woolf, A Haunted House and Other Short Stories. New York: Harcourt, 1972. 28-36.

_____. "Kew Gardens." In Reading Narrative Fiction. By Seymour Chatman with Brian Attebery. New York: Macmillan, 1993.*

_____. "The Tunnel." Review of Dorothy Richardson's The Tunnel. Duckworth, 1919. TLS 13 February 1919. Rpt. in Woolf, A Woman's Essays. 15-17.

_____. Reading notes for "Modern Novels," Times Literary Supplement, April 10, 1919. Rpt. in Scott 1990: 642-5.

_____. "Modern Fiction." 1919. In Woolf, The Common Reader, 1st. series. 184-95.*

_____. "Modern Fiction." In Woolf, The Common Reader. New York: Harcourt, 1953.

_____. "Modern Fiction." In English Critical Essays: Twentieth Century. 1st. series. Ed. Phyllis M. Jones. London: Oxford UP, 1933. 388-99.*

_____. "Modern Fiction". Rpt. in Woolf, Collected Essays. London: Hogarth Press, 1966. Vol. 2.*

_____. "Modern Fiction." In 20th Century Literary Criticism: A Reader. Ed. David Lodge. London: Longman, 1972. 86-91.*

_____. "Modern Fiction." In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 739-44.*

_____. "Modern Fiction." Essay. 1925. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2148-53.*

_____. Night and Day. Novel. 1919. London: Granada, 1978.

_____. Night and Day. London: Vintage.

_____. Night and Day. Ed. Suzanne Raitt. Oxford: Oxford UP.

_____. "An Unwritten Novel." Short story. 1920. In Woolf, Monday or Tuesday. 1921. London: Hesperus, 2003. 27-40.*

_____. "A Haunted House." In Woolf, Monday or Tuesday. 1921. London: Hesperus, 2003. 3-6.*

_____. "A Society." Short story. In Woolf, Monday or Tuesday. 1921. London: Hesperus, 2003. 7-24.*

_____. "The String Quartet." In Woolf, Monday or Tuesday. 1921. London: Hesperus, 2003. 41-46.*

_____. "Blue & Greeen." Short story. In Woolf, Monday or Tuesday. 1921. London: Hesperus, 2003. 47-48.*

_____. "The Mark on the Wall." Story. In Woolf, Monday or Tuesday. 1921. London: Hesperus, 2003. 59-68.*

_____. "The Mark on the Wall." In Women, Men, and the Great War: An Anthology of Stories. Ed. Trudi Tate. Manchester: Manchester UP, 1995. 160-66.*

_____. "The Mark on the Wall." In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2143-48.*

_____. "The Mark on the Wall." In Online literature



http://www.online-literature.com/virginia_woolf/855/

2006-02-14

_____. "Kew Gardens." Story. In Woolf, Monday or Tuesday. 1921. London: Hesperus, 2003. 49-58.*

_____. "Men and Women." Rev. of Léonie Villard's La Femme anglaise au XIXe siècle et son évolution d'après le roman anglais contemporary. Paris: Didier, 1920. TLS 18 March 1920. Rpt. in Woolf, A Woman's Essays. 18-20.

_____. "Freudian Fiction." Review of J. D. Beresford's An Imperfect Mother. London: Collins, 1920. TLS 25 March 1920. Rpt. in Woolf, A Woman's Essays. London: Penguin, 1992. 21-3.*

_____. "An Imperfect Lady." Rev. of Constance Hill's Mary Russell Mitford and her Surroundings. London: John Lane, 1920. TLS 6 May 1920. Rpt. in Woolf, A Woman's Essays. 24-6.

_____. "The Plumage Bill." Woman's Leader 23 July 1920. Rpt. in Woolf, A Woman's Essays. 27-9.

_____. Letters on "The Intellectual Status of Women." On Arnold Bennett's Our Women: Chapters on the Sex-Discord and Desmond McCarthy's reviw in New Stateman 2 October 1920. New Statesman 9 and 16 October 1920. Rpt. in Woolf, A Woman's Essays. 30-9.

_____. Monday or Tuesday. Short stories. 1921.

_____. Monday or Tuesday. Foreword by Scarlett Thomas. (100 pages). London: Hesperus, 2003.*

_____. "An Unwritten Novel." 1921.

_____. "The Modern Essay." Review of Modern English Essays: 1870-1920. 5 vols. Ed. Ernest Rhys. London: Dent, 1922. TLS 20 November 1992. Rev. version in Woolf, The Common Reader. Rpt. in Woolf, A Woman's Essays. 40-9.

_____. Jacob's Room. Novel. 1922. London: Hogarth, 1976.

_____. Jacob's Room. The Waves. New York: Harcourt, 1959.

_____. Jacob's Room. Ed. Kate Flint. Oxford: Oxford UP.

_____. Jacob's Room. London: Vintage.

_____. Jacob's Room. Ed. Edward Bishop. (Shakespeare Head Press Editions of Virginia Woolf). Oxford: Blackwell, 2004.

_____. Flush. Biography.

_____. Flush. Ed. Elizabeth Steele. (Shakespeare Head Press Editions of Virginia Woolf). Oxford: Blackwell,1998.

_____. Flush. Ed. Kate Flint. (Oxford Paperbacks). Oxford: Oxford UP, 1998.

_____. Roger Fry. Biography.

_____. Roger Fry. Ed. Diane Gillespie. (Shakespeare Head Press Editions of Virginia Woolf). Oxford: Blackwell, 1995.

_____. "Romance and the Heart." Rev. of The Grand Tour by Romer Wilson (Methuen, 1923) and Revolving Lights by Dorothy Richardson. (Duckworth, 1923). Nation and Athenaeum 19 May 1923. Rpt. in Woolf, A Woman's Essays. 50-2.

_____. "The Compromise." Review of Janet Penrose Trevelyan's The Life of Mrs Humphry Ward. Constable, 1923. Nation and Athenaeum 29 September 1923. Rpt. in Woolf, A Woman's Essays. 53-6.

_____. "Montaigne." Review of Charles Cotton's trans. of the Essays of Montaigne (Navarre Society, 5 vols., 1923). TLS 31 January 1924. Rev. version in Woolf, The Common Reader 84-97. Rpt. in Woolf, A Woman's Essays. 56-64.

_____. "Romance and the Heart." 1923. In Woolf, Contemporary Writers. London, 1965.

_____. "The Patron and the Crocus." (Writing). Nation and Athenaeum 12 April 1924. Rev. version in The Common Reader. Rpt. in Woolf, A Woman's Essays. 65-8.

_____. "Mr Bennett and Mrs Brown." Nation and Athenaeum 1 December 1923. Rev. version: "Character in Fiction." Criterion July 1924.

_____. Mr Bennett and Mrs Brown. Rev. version as a separate pamphlet. London: Hogarth, 1924. Rpt. in Woolf, A Woman's Essays. 69-87.*

_____. "Mr Bennett and Mrs Brown." In Woolf, Collected Essays. London: Hogarth, 1966. 1.319-37.

_____. "Mr. Bennett and Mrs. Brown." In Essentials of the Theory of Fiction. Ed. Michael J. Hoffman and Patrick D. Murphy. Durham (NC): Duke UP, 1988. 24-39.*

_____. "Mr. Bennett and Mrs. Brown." In Theory of the Novel: A Historical Approach. Ed. Michael McKeon. Baltimore: Johns Hopkins UP, 2000. 745-58.*

_____. "Indiscretions." (Writers' personal life).Vogue November 1924. Rpt. in Woolf, A Woman's Essays. 88-92.*

_____. Mrs. Dalloway. Novel. London: Hogarth, 1925.

_____. Mrs. Dalloway. New York: Harcourt Brace Jovanovich, 1953.

_____. Mrs Dalloway. Harmondsworth: Penguin, 1969. 1973.

_____. Mrs. Dalloway. London: Grafton, 1976.

_____. Mrs Dalloway. Ed. G. Patton Wright. London: Vintage.

_____ . Mrs Dalloway. Ed. Claire Tomalin. Oxford: Oxford UP, 1992.

_____. Mrs Dalloway. Trans. S. David. Paris: Livre de Poche, n. d.

_____. Mrs Dalloway. Ed. Morris Beja. (Shakespeare Head Press Editions of Virginia Woolf). Oxford: Blackwell, 1996.

_____. From Mrs. Dalloway. In The Arnold Anthology of British and Irish Literature in English. Ed. Robert Clark and Thomas Healy. London: Arnold, 1997. 1321-31.*

_____. Mrs Dalloway. French trans. in Œuvre romanesque. Stock.

_____. La señora Dalloway. Ed. María Lozano. Trans. Mariano Baselga. Madrid: Cátedra, 1993.

_____. La señora Dalloway. Trans. Andrés Bosch. Barcelona: Lumen, 1993.

_____. "Jane Eyre and Wuthering Heights." In Woolf, The Common Reader 1.196-204.

_____. "The Common Reader." In Woolf, The Common Reader 11-12.

_____. "The Pastons and Chaucer." In Woolf, The Common Reader. 1925. London: Hogarth, 1929. 13-38.*

_____. "On not Knowing Greek." In Woolf, The Common Reader 39-58. Rpt. in Woolf, A Woman's Essays. 93-106.

_____. "The Elizabethan Lumber Room." In Woolf, The Common Reader 60-71.

_____. "El desván elisabetano." In Ensayistas ingleses. Ed. Ricardo Baeza. Barcelona: Exito, 1968. 459-67.*

_____. "Notes on an Elizabethan Play." In Woolf, The Common Reader. 1925. London: Hogarth, 1929. 72-83.*

_____. "The Duchess of Newcastle." In Woolf, The Common Reader 98-109. Rpt. in Woolf, A Woman's Essays. 107-14.

_____. "Rambling Round Evelyn." In Woolf, The Common Reader. 1925. London: Hogarth, 1929. 110-20.*

_____. "Defoe." In Woolf, The Common Reader 121-31.*

_____. "Addison." In Woolf, The Common Reader. 1925. London: Hogarth, 1929. 132-45.*

_____. "Lives of the Obscure: Taylors and Edgeworths." In Woolf, The Common Reader 146-59.*

_____. "Lives of the Obscure: Laetitia Pilkington." In Woolf, The Common Reader 160-7.*

_____. "Jane Austen." In Woolf, The Common Reader. 1925. London: Hogarth, 1929. 168-83.*

_____. "Jane Eyre and Wuthering Heights." In Woolf, The Common Reader 196-204.*

_____. "George Eliot." In Woolf, The Common Reader 205-18.*

_____. "The Russian Point of View." In Woolf, The Common Reader 219-30.*

_____. "Miss Mitford." In Woolf, The Common Reader. 1925. London: Hogarth, 1929. 232-40.*

_____. "Bentley." In Woolf, The Common Reader. 1925. London: Hogarth, 1929. 241-8.*

_____. "Lady Dorothy Nevill." In Woolf, The Common Reader. 1925. London: Hogarth, 1929. 248-53.*

_____. "Archbishop Thomson." In Woolf, The Common Reader 254-60.*

_____. "The Patron and the Crocus." (Patronage). In Woolf, The Common Reader 261-7.*

_____. "The Modern Essay." In Woolf, The Common Reader 267-81.*

_____."Joseph Conrad." In Woolf, The Common Reader. 1925. London: Hogarth, 1929. 282-91.*

_____. "How it Strikes a Contemporary." (Criticism). In Woolf, The Common Reader 292-305.*

_____. The Common Reader. [1st. series.] 1925. London: Hogarth, 1929.*

_____. The Common Reader: First Series. New York: Harcourt, 1953.

_____. The Common Reader, First Series. Ed. Andrew McNeillie. London: Hogarth, 198-?

_____. "An Essay in Criticism." New York Herald Tribune Books 4 Oct. 1927: 1, 8. Rpt. in Ernest Hemingway: The Critical Reception. Ed. Robert O. Stephens. New York: Franklin, 1977. 53-54.

_____. To the Lighthouse. Fiction. 1927. London: Hogarth Press, 1960.

_____. To the Lighthouse. New York: Harcourt Brace, 1927.

_____. To the Lighthouse. Introd. D. M. Hoare. London: Dent, 1948.

_____. To the Lighthouse. Harmondsworth: Penguin, 1969.*

_____. To the Lighthouse. London: Everyman, 1971.

_____. To the Lighthouse. London: Granada, 1977.

_____. To the Lighthouse. London: Vintage.

_____. To the Lighthouse. Ed. Margaret Drabble. Oxford: Oxford UP, 1992.

_____. To the Lighthouse. Ed. and introd. Sandra Kemp. London: Routledge, 1994.

_____. To the Lighthouse. Ware: Wordsworth.

_____. Al faro. Madrid: Debate, 1995

_____. "Two Women." Rev. of the Letters of Lady Augusta Stanley, ed. the Dean of Windsor and Hector Bolitho, Gerald Howe, 1927, and Lady Barbara Stephen's Emily Davies and Girton College, Constable, 1927. Nation and Athenaeum 23 April 1927. Rpt. in Woolf, A Woman's Essays. 115-20.

_____. "The Art of Fiction." Review of E. M. Forster's Aspects of the Novel. Nation and Athenaeum 12 Nov. 1927. Rpt. in Woolf, A Woman's Essays. 121-5.

_____. "L'Art du roman." Le Figaro Littéraire (November 1962).

_____. Orlando: A Biography. Novel. 1928. London: Vintage, 1992.

_____. Orlando: A Biography. London: Hogarth, 1928.

_____. Orlando. Harmondsworth: Penguin, 1942.

_____. Orlando: A Biography. New York: Harcourt Brace.

_____. Orlando: A Biography. Introd. Quentin Bell. London: Hogarth, 1990.

_____. Orlando: A Biography. Introd. Quentin Bell. London: Vintage, 1992.

_____. Orlando. Ed. Rachel Bowlby. Oxford: Oxford UP.

_____. "Dorothy Osborne's Letters." Rev. of The letters of Dorothy Osborne to William Temple. Clarendon, 1928. New Republic 24 October 1928. Rev. version in The Common Reader: Second Series. 1932. Rpt. in Woolf, A Woman's Essays. 126-32.

_____. A Room of One's Own. New York: Harcourt, 1929. 1957.

_____. A Room of One's Own. Harmondsworth: Penguin, 1945.

_____. A Room of One's Own. London: Triad-Grafton, 1977.

_____. A Room of One's Own. Rpt. with a foreword by Mary Gordon. New York: Harcourt, 1989.

_____. A Room of One's Own. 1929. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2153-2214.*

_____. From A Room of One's Own. In The Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch et al. New York: Norton, 2001.*

_____. "In Search of a Room of One's Own." Ch. 3 of A Room of One's Own. In The Norton Reader. 8th ed. New York: Norton, 1992. 707-18.*

_____. A Room of One's Own. Chapter 6. In Literary Criticism and Theory. Ed. R. C. Davis and L. Finke. London: Longman, 1989. 613-24.*

_____. ["That Freedom of the Mind"]. 1929. In Oroonoko: An Authoritative Text / Historical Backgrounds / Criticism. Ed. Joanna Lipking. (Northwestern U). (Norton Critical Editions). New York: Norton, 1997. 197-98.*

_____. "Women and Fiction." 1929. In Woolf, Collected Essays vol. 3.

_____. "Women and Fiction." In Woolf,Women and Writing. 43-52.

_____. "Women and Fiction." In The Feminist Critique of Language: A Reader. Ed. Deborah Cameron. 2nd ed. London: Routledge, 1998. 1999. 47-53.*

_____. "Women and Fiction." In The Novel: An Anthology of Criticism and Theory 1900-2000. Ed. Dorothy J. Hale. Blackwell, 2006. 579-85.*

_____. "Memories of a Working Women's Guild." Yale Review Sept. 1930. Diff. version in Life as We Have Known It. By Co-Operative Working Women. Ed. margaret Llewelyn-Davies. Hogarth Press, 1921. Rpt. in Woolf, A Woman's Essays. 133-47.

_____. "Professions for Women." 1931, pub. 1942.

_____. "Professions for Women." 1942. In Woolf, Collected Essays. London, 1966-7. Vol. 2.

_____. "Professions for Women." 1942. Rpt. in Virginia Woolf: Women and Writing. Ed. Michele Barrett. New York: Harcourt, 1979. 57-63.

_____. "Professions for Women." 1942. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2214-18.*

_____. The Waves. Novel. 1931. London: Hogarth, 1963.

_____. The Waves. Harmondsworth: Penguin, 1964.

_____. The Waves. London: Grafton, 1990.

_____. The Waves. London: Vintage.

_____. The Waves. Ed. Gillian Beer. (World's Classics). Oxford: Oxford UP, 1992. (Oxford World's Classics). Oxford: Oxford UP, 1998.*

_____. Las olas. Ed. María Lozano. Trans. Dámaso López. Madrid: Cátedra, 1994.

_____. The Common Reader: Second Series. London: Hogarth, 1932.

_____. The Second Common Reader. New York: Harcourt, 1960.

_____. The Common Reader. 2 vols. Ed. Andrew McNeillie. London: Hogarth.

_____. "How Should One Read a Book?" The Common Reader second series (1932). Excerpt in The Norton Reader. 8th ed. New York: Norton, 1992. 278-80.*

_____. "Leslie Stephen, the Philosopher at Home: A Daughter's Memories." London Times 28 nov. 1932. Rpt. as "My Father: Leslie Stephen." In The Norton Reader. 8th ed. New York: Norton, 1992. 70-5.

_____. Flush. Narrative. 1933. (Biography of E. B. Browning's dog).

_____. Flush. New York: Harcourt Brace Jovanovich, 1933.

_____. "Why?" (Women and lit.). Lysistrata (Oxford, 1934). Rpt. in Woolf, A Woman's Essays. 148-53.

_____. "Royalty." Rev. of The Story of My Life. By Marie, Queen of Romania. Time and Tide 1 December 1934. Rpt. in Woolf, A Woman's Essays. 154-8.

_____. The Years. Novel. 1937.

_____. The Years. London: Vintage.

_____. The Years. Ed. Hermione Lee. Notes Sue Asbee. Oxford: Oxford UP.

_____. Three Guineas. New York: Harcourt, 1938. Sequel to A Room of One's Own.

_____. Three Guineas. London: Hogarth Press, 1938. 1943. 1947. 1952. 1953.*

_____. Three Guineas. Harmondsworth: Penguin, 1977.

_____. Three Guineas. Introd. Hermione Lee. London: Hogarth.

_____. Tres Guineas. Trans. Andrés Bosch. Barcelona: Lumen, 1980.

_____. Three Guineas. Ed. Naomi Black. (Shakespeare Head Press Editions of Virginia Woolf). Oxford: Blackwell, 2001.

_____. "An Essay in Criticism." In Woolf, Granite and Rainbow.

_____. Freshwater: A Comedy. Drama. Ed. Lucio P. Ruotolo.

_____. "White's Selborne." New Statesman and Nation 30 Sept. 1939: 460.

_____. From A Sketch of the Past. [Moments of Being and Non-Being]. 1939-40, pub. 1978. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2218-26.*

_____. "The Leaning Tower." (Writing). Folios of New Writing (Autumn 1940). Rpt. in Woolf, A Woman's Essays. 159-78.

_____. La torre inclinada.

_____. Between the Acts. Experimental novel. 1941.

_____. Between the Acts. Ed. Frank Kermode. Oxford: Oxford UP.

_____. Between the Acts. London: Vintage.

_____. Between the Acts. Ed. Susan Dick and Mary Millar. (Shakespeare Head Press Editions of Virginia Woolf). Oxford: Blackwell, 2002.

_____. Entre les actes. In Woolf, in Œuvre romanesque II. Stock.

_____. The Death of the Moth. Essays. London: Hogarth, 1942.

_____. The Death of the Moth. Harvest, 1974.

_____. La muerte de la polilla y otros escritos. Foreword by Gloria Fortún. Capitán Swing Libros, 2010.

_____. "The Death of the Moth." From The Death of the Moth and Other Essays. 1942. In The Norton Reader. 8th ed. New York: Norton, 1992. 738-41.* (Death).

_____. "An Unwritten Novel." In Woolf, A Haunted House and Other Short Stories. London: Grafton, 1982.

_____. A Haunted House. Short stories. 1943.

_____. The Moment and Other Essays. 1948. Harvest, 1974.

_____. Contemporary Writers. Essays.

_____. The Captain's Deathbed and Other Essays. Ed. Leonard Woolf. London: Hogarth; New York: Harcourt, 1950.

_____. Granite and Rainbow. Essays. London, 1958. Harvest, 1975.

_____. Granite and Rainbow. 1958. Harvest, 1975.

_____. Books and Portraits. Ed. Mary Lyon.

_____. Virginia Woolf and Lytton Strachey: Letters. Ed. Leonard Woolf and James Strachey.

_____. A Writer's Diary. Ed. Leonard Woolf. London: Hogarth Press, 1954. 1959.

_____. A Writer's Diary. St Albans: Triad-Panther, 1978.

_____. "The Mark on the Wall." Story. In The Arnold Anthology of British and Irish Literature in English. Ed. Robert Clark and Thomas Healy. London: Arnold, 1997. 36.*

_____. "On Being Ill."

_____. "Solid Objects." In The Oxford Book of English Short Stories. Ed. A. S. Byatt. Oxford: Oxford UP, 1998. 1999. 204-9.*

_____. Contemporary Writers. With a preface by Jean Guiguet. London: Hogarth, 1965.

_____. Collected Essays. Ed. Leonard Woolf. London: Hogarth Press, 1966.

_____. A Haunted House and Other Short Stories. New York: Harcourt, 1972.

_____. A Haunted House and Other Short Stories. London: Grafton, 1982.

_____. The Letters of Virginia Woolf. Ed. Nigel Nicolson and J. Trautmann. 6 vols. London: Hogarth, 1975-81.



The Flight of the Mind: The Letters of Virginia Woolf, vol. 1 1888-1912. Ed. Nigel Nicolson.

The Question of Things Happening. The Letters of Virginia Woolf, vol. 2 1919-1922. Ed. Nigel Nicolson.

A Change of Perspective. The Letters of Virginia Woolf vol. 3 1923-1928. Ed. Nigel Nicolson.

The Letters of Virginia Woolf V. Ed. Nigel Nicolson. London: Hogarth, 1994.

_____. Moments of Being. Memoirs. Ed. Jeanne Schulkind. London, 1978.

_____. The Diary of Virginia Woolf. Ed. Anne Olivier Bell and A. McNeillie. 5 vols. London: Hogarth Press, 1977-84.

_____. The Diary of Virginia Woolf 1915-1919. Ed. Anne Olivier Bell.

_____. The Diary of Virginia Woolf II. Ed. Anne Olivier Bell. Harmondsworth: Penguin, 1978.

_____. The Diary of Virginia Woolf. Vol. III, 1925-1930. Ed. Anne Olivier Bell. New York: Harcourt, 1980.

_____. The Diary of Virginia Woolf IV. Ed. Anne Olivier Bell. Harmondsworth: Penguin, 1982.

_____ The Diary of Virginia Woolf, Volume V: 1936-1941. Ed. Anne Olivier Bell. 1984.

_____. Diarios. 1925-1930. Madrid, 1993.

_____. Diario íntimo. Barcelona: Grijalbo-Mondadori, 1994.

_____. Diario íntimo II (1924-1931). Barcelona, 1993.

_____. Diario íntimo III (1932-1941). Barcelona, 1994.

_____. A Room of One's Own and Three Guineas. Ed. Morag Shiach. Oxford: Oxford UP.

_____. Women and Writing. Ed. Michèle Barrett. London: Women's Press, 1979.

_____, Women and Writing. Ed. Michele Barrett. New York: Harcourt Brace Jovanovich, 1979. 1980.

_____. Mrs Dalloway's Party. Ed. Stella McNichol. Short stories.

_____. The Complete Shorter Fiction of Virginia Woolf. Ed. Susan Dick. London: Hogarth, 1985.

_____. Virginia Woolf: The Complete Shorter Fiction. Ed. Susan Dick. London, 1987.

_____. Relatos completos. Ed. Susan Dick. Trans. Catalina Martínez Muñoz. Madrid: Alianza, 1994.

_____. The Essays of Virginia Woolf I. Ed. Andrew McNeillie. London: Hogarth, 1986.

_____. The Essays of Virginia Woolf II. Ed. Andrew McNeillie. London: Hogarth, 1987.

_____. The Essays of Virginia Woolf III. Ed. Andrew McNeillie. London: Hogarth, 1988.

_____. The Essays of Virginia Woolf IV. Ed. Andrew McNeillie. London: Hogarth, 1994.

_____. A Passionate Apprentice: The Early Journals of Virginia Woolf 1897-1909. Ed. Mitchell Leaska. London: Hogarth, 1990.

_____. A Woman's Essays: Selected Essays: Volume One. Ed. Rachel Bowlby. London: Penguin, 1992.*

_____. The Selected Essays of Virginia Woolf II. Ed. Rachel Bowlby. London: Penguin, 1992.

_____. Four Great Novels: Jacob's Room, Mrs Dalloway, To the Lighthouse, The Waves. Oxford: Oxford UP.

_____. Killing the Angel in the House. Harmondsworth: Penguin, 1995.

_____. "The Legacy." Story. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2226-30.*

_____. "The Legacy." In The Oxford Book of English Love Stories. Ed. John Sutherland. Oxford: Oxford UP, 1997. 216-22.* (Lovers, suicide).

_____. "The New Dress." In Literature and Gender. Ed. Lizbeth Goodman. London: Routledge / Open U, 1996. 2001. 296-301.*

_____. In The Green Studies Reader: From Romanticism to Ecocriticism. Ed. Laurence Coupe. London: Routledge, 2000.

_____. Œuvre romanesque. Stock.

_____. Œuvre romanesque II. Stock.


  1   2   3   4


La base de datos está protegida por derechos de autor ©bazica.org 2016
enviar mensaje

    Página principal