Ernest Hemingway



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Bachman, Malvin. "The Matador Crucified." In Modern American Fiction: Essays in Criticism. Ed. A. Walton Litz. New York: Oxford UP, 1963.

Baker, Carlos. Rev. of Men at War. Stories. By Ernest Hemingway. Sewanee Review (January 1943). Rpt. in Hemingway: The Critical Heritage. Ed. Jeffrey Meyers. London: Routledge, 1982. 368-69.*

_____. Hemingway: The Writer as Artist. 1952. 1956. 1963. 4th ed. Princeton: Princeton UP, 1972. 1973.*

_____. Hemingway: El escritor como artista. 1972 ed. Buenos Aires: Corregidor, 1974.*

_____. Rev. of The Fifth Column and Four Stories of the Spanish Civil War. By Ernest Hemingway. Saturday Review (September 1968). Rpt. in Hemingway: The Critical Heritage. Ed. Jeffrey Meyers. London: Routledge, 1982. 531-33.*

_____, ed. Ernest Hemingway: A Critique of Four Major Novels. New York: Scribner's, 1962.

_____, ed. Ernest Hemingway: Selected Letters, 1917-1961. New York: Scribner's, 1981.*

_____, ed. Ernest Hemingway: Selected Letters, 1917-1961. London: Granada, 1981.

Balaev, Michelle. "Language's Limits and a Doubtful Nature: Ernest Hemingway's 'Big Two-Hearted River' and Friedrich Nietzsche's Foreign Language." Hemingway Review 33.2 (Spring 2014): 107-18.*

Baldwin, Marc D. "'To Make It into a Novel... Don't Talk About It': Hemingway's Political Unconscious." Journal of Narrative Technique 23.3 (1993): 170-187.*

Barea, Arturo. Rev. of For Whom the Bell Tolls. Novel. By Ernest Hemingway. Horizon (May 1941). Rpt. in Hemingway: The Critical Heritage. Ed. Jeffrey Meyers. London: Routledge, 1982. 350-60.*

Barlowe-Kayes, Jamie. "Re-Reading Women: The Example of Catherine Barkley." Hemingway Review 12.2 (Spring 1993): 24-35.*

Barrio Marco, José Manuel. "'Cat in the Rain': Un preludio simbólico-narrativo en la obra de Ernest Hemingway." Revista Alicantina de Estudios Ingleses 3 (1990): 7-15.

_____. "'Soldier's Home': Una reflexión socio-literaria sobre un relato de E. Hemingway." ES 14 (1990): 105-14.

_____. Ernest Hemingway: Su dinámica narrativa. Valladolid: Secretariado de Publicaciones de la Universidad de Valladolid, 1990.

_____. "La herencia literaria norteamericana y su influencia en Ernest Hemingway." In Leer a Hemingway. Special issue of Puertas a la Lectura no. 11 (Nov. 2000): 8-23.*

Beach, Joseph Warren. Rev. of Across the River and Into the Trees. By Ernest Hemingway. Sewanee Review (Spring 1951). Rpt. in Hemingway: The Critical Heritage. Ed. Jeffrey Meyers. London: Routledge, 1982. 400-406.*

Beegel, Susan F. (U of Idaho)."'That Always Absent Something Else': 'A Natural History of the Dead' and Its Discarded Coda." In New Critical Approaches to the Short Stories of Ernest Hemingway. Ed. Jackson J. Benson. Durham: Duke UP, 1990. 73-95.*

_____. "Ernest Hemingway's 'A Lack of Passion'." In Hemingway: Essays of Reassessment. Ed. Frank Scafella. New York: Oxford UP, 1991. 62-9.*

_____. "Conclusion: The Critical Reputation of Ernest Hemingway." In The Cambridge Companion to Hemingway. Ed. Scott Donaldson. Cambridge: Cambridge UP, 1996. 269-301.

_____. "23. The Environment." In Ernest Hemingway in Context. Ed. Debra A. Moddelmog and Suzanne del Gizzo. Cambridge: Cambridge UP, 2013. 237-46.*

Belcher, Larry. "Wine to Water." Hermeneus 4 (2002): 21-32. (Hemingway, "The Wine of Wyoming").

_____. Rev. of Muerte en la tarde. By Ernest Hemingway. Ed. Miriam B. Mandel and Tony Brand. Hermeneus 10 (2008): 235-37.*

Benca, Goretti M. V. "'In the Breaking of the Bread': Holy and Secular Communion in 'Big Two-Hearted River'." Hemingway Review 33.1 (Fall 2013): 65-72.*

Bennett, Arnold. Rev. of A Farewell to Arms. By Ernest Hemingway. Evening Standard November 1929. Rpt. in Hemingway: The Critical Heritage. Ed. Jeffrey Meyers. London: Routledge, 1982. 130-32.*

Benson, Jackson J. "E. Hemingway as a Short Story Teller." In The Short Stories of E. Hemingway. Ed Jackson J. Benson. Durham (NC), 1975.

_____, ed. New Critical Approaches to the Short Stories of Ernest Hemingway.. Durham: Duke UP, 1990.

Berman, Ronald. Fitzgerald, Hemingway, and the Twenties. (CHOICE Outstanding Academic Book 2001).

_____. Fitzgerald-Wilson-Hemingway: Language and Experience. Tuscaloosa and London: U of Alabama P, 2003.*

Bittner, John R. "The Lost Literary Underpinnings of Richard Attenborough's Film In Love and War: The Hemingway Funeral Scene." North Dakota Quarterly 70.4 (Fall 2003): 40-62. (Special issue on Hemingway: Life and Art).*

Blythe, Harold, and Charles Sweet. "The Real Philip Percival: The Mordens View of 'Robert Wilson'." Hemingway Review 12.2 (Spring 1993): 78-82.*

Bond, Adrian. "The Way it wasn't in Hemingway's The Sun Also Rises." The Journal of Narrative Technique 28.1 (Spring 1998): 56-74

Borges, Jorge Luis. "To Have and Have Not, de Ernest Hemingway." 1938. In Borges, Textos cautivos: Ensayos y reseñas en El Hogar. Ed. Enrique Sacerio Garí and Emir Rodríguez Monegal. Barcelona: Tusquets, 1986.

Bradbury, Malcolm. Rev. of By-Line: Ernest Hemingway. New Statesman (March 1968). Rpt. in Hemingway: The Critical Heritage. Ed. Jeffrey Meyers. London: Routledge, 1982. 53-25.*

Brand, Anthony. "'Far from Simple': The Published Photographs in Death in the Afternoon." In A Companion to Hemingway's Death in the Afternoon. Ed. Miriam B. Mandel. Rochester (NY): Boydell & Brewer-Camden House, 2004. 165-87.*

_____. "Deleted 'Flashes': The Unpublished Photographs of Death in the Afternoon." In A Companion to Hemingway's Death in the Afternoon. Ed. Miriam B. Mandel. Rochester (NY): Boydell & Brewer-Camden House, 2004. 189-204.*

Brandt, Kenneth K., and Alicia Mischa Renfro. "Intent and Culpability: A Legal Review of the Shooting in 'The Short Happy Life of Francis Macomber'." Hemingway Review 33.2 (Spring 2014): 8-29.*

Brasch, James D. That Other Hemingway: The Master Inventor. Trafford Publishing, 2009.*

Bredendick, Nancy. "'Qué tal, hombre, qué tal?': How paratexts Narrow the Gap between Reader and Text in Death in the Afternoon." In A Companion to Hemingway's Death in the Afternoon. Ed. Miriam B. Mandel. Rochester (NY): Boydell & Brewer-Camden House, 2004. 205-34.*

Brenner, Gerry. Concealments in Hemingway's Works. Columbus: Ohio UP, 1981.

_____. "From 'Sepi Jingan' to 'The Mother of a Queen': Hemingway's Three Epistemologic Formulas for Short Fiction." In New Critical Approaches to the Short Stories of Ernest Hemingway. Ed. Jackson J. Benson. Durham: Duke UP, 1990. 156-71.*

_____. The Old Man and the Sea: Story of a Common Man. New York: Twayne, 1991. Rev. in The Hemingway Review 12.1 (Fall 1992).

_____. "Enough of a Bad Gamble: Correcting the Misinformation on Hemingway's Captain James Gamble." The Hemingway Review 20.1 (Fall 2000): 90-96.*

Broer, Lawrence R. Vonnegut and Hemingway: Writers at War. Columbia (SC): U of South Carolina P, 2011.

_____. "13. Bulls and Bells: Their Toll on Robert Jordan." In Hemingway's Spain: Imagining the Spanish World. Ed. Carl P. Eby and Mark Cirino. Kent (OH): Kent State UP, 2016. 192-213.*

Broncano Rodríguez, Manuel. "El otro Hemingway: La narrativa breve." In Leer a Hemingway. Special issue of Puertas a la Lectura no. 11 (Nov. 2000): 24-32.*

Brooks, Cleanth. The Hidden God: Studies in Hemingway, Faulkner, Eliot, and Warren. 1963.

Bruccoli, Matthew J. Scott and Ernest: The Authority of Failure and the Authority of Success. London: Bodley Head, 1978.

Budick, Emily Miller. "The Sun Also Rises: Hemingway and the Pattern of Repetition." University of Toronto Quarterly 56 (1986): 319-37.

_____. "The Sun Also Rises: Hemingway's New Covenant of History." In Budick, Fiction and Historical Consciousness: The American Romance Tradition. New Haven: Yale UP, 1989. 164-84.*

Burkhart, Robert E. "Hemingway, Names, and Men at War." Hemingway Review 11.2 (1992): 56-57.

Burwell, Rose Marie. "Hemingway's Garden of Eden: Resistance of Things Past and Protecting the Masculine Text." In Hemingway's The Garden of Eden: Twenty-five Years of Criticism. Ed. Suzanne del Gizzo and Frederic J. Svoboda. Kent (OH): Kent State UP, 2012. 103-27.*

Calabi, Silvio. "Ernest Hemingway on Safari: The Game and the Guns." In Hemingway and Africa. Ed. Miriam B. Mandel. Rochester (NY): Camden House, 2011. 85-121.*

Callaghan, Morley. Rev. of A Moveable Feast. By Ernest Hemingway. Spectator (May 1964). Rpt. in Hemingway: The Critical Heritage. Ed. Jeffrey Meyers. London: Routledge, 1982. 463-67.*

Camastra, Nicole J. Introd. to "Special section: Hemingway and Food." Hemingway Review 33.1 (Fall 2013): 61-64.*

_____. "'I Was Made to Eat': Food and Brillat-Savarin's Genesiac Sense in A Farewell to Arms." Hemingway Review 33.1 (Fall 2013): 86-92.*

Cameron, Kenneth M. "Patterson and the Blyths: The Originals of Hemingway' 'Macomber' Triangle." Hemingway Review 11.2 (1992): 52-55.*

Candel, Francisco. ¡Echate un pulso, Hemingway! Ediciones de Bolsillo.

Cannon, Michael Von. Rev. of Hemingway's Dark Night: Catholic Influences and Intertextualities in the Work of Ernest Hemingway, by Matthew C. Nickel. Hemingway Review 33.2 (Spring 2014): 150-54.*

Carter, Ron. "Style and Interpretation in Hemingway's 'Cat in the Rain'." In The Language and Literature Reader. Ed. Ronald Carter and Peter Stockwell. Abingdon (UK) Routledge, 2008.*

Carter, Steven. "'Nothing Had Eaten Any Breakfast': Hemingway's Canary for None." Prospero: Rivista di Culture Anglo-Germaniche 4 (1997): 5-15.

Cary, Joyce. Rev. of The Old Man and the Sea. By Ernest Hemingway. New York Times Book Review (December 1952). Rpt. in Hemingway: The Critical Heritage. Ed. Jeffrey Meyers. London: Routledge, 1982. 416-17.*

Castellet, Josep Maria. La evolución espiritual de E. Hemingway. Madrid: Taurus, 1958.

Cheatham, George. "'Sign the Wire with Love': The Morality of Surplus in The Sun Also Rises." Hemingway Review 11.2 (1992): 25-30.*

_____. "'Sign the Wire with Love': The Morality of Surplus in The Sun Also Rises." In Ernest Hemingway's The Sun Also Rises: A Casebook. Oxford: Oxford UP, 2002. 99-106.*

Cirino, Mark. Ernest Hemingway: Thought in Action. Madison: U of Wisconsin P, 2012.

_____. Rev. of Hemingway's Trail of the Novel A Farewell to Arms. By Branko Drekonja and Aleksander Jankovic Potocnik. Hemingway Review 33.1 (Fall 2013): 120-22.*

_____. "The Nasty Mess: Hemingway, Italian Fascism, and the New Review Controversy of 1932." Hemingway Review 33.2 (Spring 2014): 30-47.*

_____. Reading Hemingway's Across the River and Into the Trees. Kent (OH): Kent State UP, 2015.

Cirino, Mark, and Mark P. Ott. Ernest Hemingway and the Geography of Memory. Kent (OH): Kent State UP, 2010.

Clifford, Stephen. "Hemingway's Fragmentary Novel: Readers Writing the Hero of In Our Time." Hemingway Review 13.2 (1994): 12-23.*

Coates, Robert. Rev. of Death in the Afternoon. New Yorker (October 1932). Rpt. in Hemingway: The Critical Heritage. Ed. Jeffrey Meyers. London: Routledge, 1982. 160-62.*

Cohen, Milton A. "Soldiers' Voices In Our Time: Hemingway's Ventriloquism?" The Hemingway Review 20.1 (Fall 2000): 22-29.*

_____. "11. Styles." In Ernest Hemingway in Context. Ed. Debra A. Moddelmog and Suzanne del Gizzo. Cambridge: Cambridge UP, 2013. 109-18.*

Coleman, Hildy. "'Cat' and 'Hills': Two Hemingway Fairy Tales." The Hemingway Review 12.1 (Fall 1992): 67-72.*

Comley, Nancy R. "Madwomen on the Riviera: The Fitzgeralds, Hemingway, and the Matter of Modernism." In Hemingway's The Garden of Eden: Twenty-five Years of Criticism. Ed. Suzanne del Gizzo and Frederic J. Svoboda. Kent (OH): Kent State UP, 2012. 359-76.*

_____. "42. Women." In Ernest Hemingway in Context. Ed. Debra A. Moddelmog and Suzanne del Gizzo. Cambridge: Cambridge UP, 2013. 409-18.*

Comley, Nancy, and Robert Scholes. "Tribal Things: Hemingway's Erotics of Truth." Novel 25.3: 268-285.*

_____. "Tribal Things: Hemingway's Erotics of Truth." In Hemingway's The Garden of Eden: Twenty-five Years of Criticism. Ed. Suzanne del Gizzo and Frederic J. Svoboda. Kent (OH): Kent State UP, 2012. 185-204.*

_____. Hemingway's Genders: Rereading the Hemingway Text. New Haven: Yale UP, 1994.

Connolly, Cyril. Rev. of Men Without Women. By Ernest Hemingway. New Statesman November 12927. Rpt. in Hemingway: The Critical Heritage. Ed. Jeffrey Meyers. London: Routledge, 1982. 110-13.*

_____. Rev. of To Have and Have Not. Novel. By Ernest Hemingway. New Statesman and Nation (October 1937). Rpt. in Hemingway: The Critical Heritage. Ed. Jeffrey Meyers. London: Routledge, 1982. 226-29.*

Conrad, Winston. Hemingway's France: Images of the Lost Generation.

Cornis-Pope, Marcel. Lecture on Hemingway's "Hills Like White Elephants." 1994. Virginia Commonwealth University English Department Web

http://www.vcu.edu/engweb/audio/

2005-05-18

Cowley, Malcolm. Rev. of Death in the Afternoon. New Republic (November 1932). Rpt. in Hemingway: The Critical Heritage. Ed. Jeffrey Meyers. London: Routledge, 1982. 164-70.*

_____. Rev. of To Have and Have Not. Novel. By Ernest Hemingway. New Republic (October 1937). Rpt. in Hemingway: The Critical Heritage. Ed. Jeffrey Meyers. London: Routledge, 1982. 236-8.*

_____. Rev. of The Fifth Column and The First Forty-Nine Stories. By Ernest Hemingway. New Republic (November 1938). Rpt. in Hemingway: The Critical Heritage. Ed. Jeffrey Meyers. London: Routledge, 1982. 263-66.*

_____. "Hemingway at Midnight." Introd. to The Portable Hemingay. 1944. In The Portable Malcolm Cowley. New York: Viking Penguin, 1990. 317-26.*

_____. "Hemingway's Wound—And Its Consequences for American Literature." 1984. In The Portable Malcolm Cowley. New York: Viking Penguin, 1990. 417-35.*

Crane, R. S. The Idea of Humanities and Other Essays Critical and Historical 2 vols. Chicago: U of Chicago P, 1967.



Critical Essays on Ernest Hemingway's In Our Time. Boston: G. K. Hall, 1983.

Cruz, Mary. Cuba y Hemingway en el gran río azul. La Habana: Ediciones Unión, 1981.

Cruz Hernández, Juan José. "Anomía social en To Have and Have Not." In Leer a Hemingway. Special issue of Puertas a la Lectura no. 11 (Nov. 2000): 33-42.*

Culver, Michael. "Sparring in the Dark: Hemingway, Strater and The Old Man and the Sea." Hemingway Review 11.2 (1992): 31-37.*

Cunill, Felipe, ed. Un corresponsal llamado Hemingway. La Habana: Ed. Arte y Literatura, 1984.*

Curnutt, Kirk. "16. Literary Friendships, Rivalries, and Feuds." In Ernest Hemingway in Context. Ed. Debra A. Moddelmog and Suzanne del Gizzo. Cambridge: Cambridge UP, 2013. 163-72.*

Davidson, Donald. Rev. of A Farewell to Arms. By Ernest Hemingway. Nashville Tennessean November 1929. Rpt. in Hemingway: The Critical Heritage. Ed. Jeffrey Meyers. London: Routledge, 1982. 126-30.*

Davison, Richard Allan. "Hemingway's 'Homage to Switzerland' and F. Scott Fitzgerald." Hemingway Review 12.2 (Spring 1993): 72-77.*

_____. "The Publication of Hemingway's The Spanish Earth: An Untold Story." Hemingway Review 7.3 (1988): 122-30.*

_____. "Hemingway and the Theater." North Dakota Quarterly 70.4 (Fall 2003): 166-77. (Special issue on Hemingway: Life and Art).*

De Voto, Bernard. Rev. of Green Hills of Africa. By Ernest Hemingway. Saturday Review of Literature (October 1935). Rpt. in Hemingway: The Critical Heritage. Ed. Jeffrey Meyers. London: Routledge, 1982. 210-13.*

_____. Rev. of To Have and Have Not. Novel. By Ernest Hemingway. Saturday Review of Literature (October 1937). Rpt. in Hemingway: The Critical Heritage. Ed. Jeffrey Meyers. London: Routledge, 1982. 223-25.*

DeFazio, Albert J., III. "6. Contemporary Reviews." In Ernest Hemingway in Context. Ed. Debra A. Moddelmog and Suzanne del Gizzo. Cambridge: Cambridge UP, 2013. 55-64.*

del Gizzo, Suzanne. "Tracking the Elephant: David's African Childhood in Hemingway's The Garden of Eden." In Hemingway and Africa. Ed. Miriam B. Mandel. Rochester (NY): Camden House, 2011. 176-98.*

_____. "12. Cult and Afterlife." In Ernest Hemingway in Context. Ed. Debra A. Moddelmog and Suzanne del Gizzo. Cambridge: Cambridge UP, 2013. 119-29.*

_____. "8. 'It was all there . . . but he could not see it': What's Dangerous about The Dangerous Summer." In Hemingway's Spain: Imagining the Spanish World. Ed. Carl P. Eby and Mark Cirino. Kent (OH): Kent State UP, 2016. 128-45.*

DeGuzmán, María. "1. Hemingway in the Dirt of a Blood and Soil Myth." In Hemingway's Spain: Imagining the Spanish World. Ed. Carl P. Eby and Mark Cirino. Kent (OH): Kent State UP, 2016. 9-27.*

del Gizzo, Suzanne, and Frederic J. Svoboda, eds. Hemingway's The Garden of Eden: Twenty-five Years of Criticism. Kent (OH): Kent State UP, 2012.*

Desnoyers, Megan, and Lisa Middents. "News from the Hemingway Collection." Hemingway Review 11.2 (1992): 58-60.*

Dewberry, Elizabeth. "Hemingway's Journalism and the Realist Dilemma." In The Cambridge Companion to Hemingway. Ed. Scott Donaldson. Cambridge: Cambridge UP, 1996. 17-35.*

Diliberto, Gioia. Hadley. New York: Ticknor and Fields, 1992. Rev. in The Hemingway Review 12.1 (Fall 1992).

Djos, Matts. "Alcoholism in Ernest Hemingway's The Sun Also Rises: A Wine and Roses Perspective on the Lost Generation." In Ernest Hemingway's The Sun Also Rises: A Casebook. Oxford: Oxford UP, 2002. 139-54.*

Doctorow, E. L. "Ernest Hemingway: R.I.P." In Hemingway's The Garden of Eden: Twenty-five Years of Criticism. Ed. Suzanne del Gizzo and Frederic J. Svoboda. Kent (OH): Kent State UP, 2012. 15-21.*

Dolan, Marc. "The Good Writer's Tale: The Fictional Method of Hemingway's 'Scott Fitzgerald'." Hemingway Review 12.2 (Spring 1993): 62-71.*

Donaldson, Scott. "Hemingway's Morality of Compensation." In Ernest Hemingway's The Sun Also Rises: A Casebook. Ed. Linda Wagner-Martin. Oxford: Oxford UP, 2002. 81-98.*

_____, ed. The Cambridge Companion to Hemingway. Cambridge: Cambridge UP, 1996.*

Doody, Terence. "Hemingway's Style and Jake's Narration." Journal of Narrative Technique 4 (1974): 212-25.

Dos Passos, John. Rev. of A Farewell to Arms. By Ernest Hemingway. New Masses December 1929. Rpt. in Hemingway: The Critical Heritage. Ed. Jeffrey Meyers. London: Routledge, 1982. 132-4.*

Doyle-Anderson, Ann, and Neal B. Houston. "The Letters of Adriana Ivancich to Ernest Hemingway." Hemingway Review 13.1 (1993): 63-75.*

Drekonja, Branko, and Aleksander Jankovic Potocnik. Hemingwayeva pot po romanu Zbogom orozje. Logatec (Slovenia): Ad Pirum Institute for Intellectual Activities, 2009.

_____. Hemingway's Trail of the Novel A Farewell to Arms. Trans. Aleksander Jankovic Potocnik. Bennington (VT): Merriam Press, 2013.

Drieu La Rochelle, Pierre. Introd. to L'Adieu aux Armes. By Ernest Hemingway. 1932. Rpt. in Hemingway: The Critical Heritage. Ed. Jeffrey Meyers. London: Routledge, 1982. 148-51.*

DuBose, Michael D. Rev. of Hemingway, Race, and Art: Bloodlines and the Color Line. By Marc Kevin Dudley. Hemingway Review 32.1 (Fall 2012): 135-38.*

_____. Rev. of Ernest Hemingway in Context. Ed. Debra Moddelmog and Suzanne del Gizzo. Hemingway Review 33.1 (Fall 2013): 110-13.*

Dubus, Andre, III. "PEN Hemingway Keynote Address: 'Ernest Hemingway: Why His Work Matters Now More then Ever, A Love Letter from the Digital World." Hemingway Review 32.1 (Fall 2012): 7-15.*

Dudley, Marc Kevin. Hemingway, Race, and Art: Bloodlines and the Color Line. Kent (OH): Kent State UP, 2012.

Duggan, Margaret M., and Richard Layman, eds. Fitzgerald/Hemingway Annual. Detroit: Gale Research, 1977.

Dupee, F. W. Rev. of The Old Man and the Sea. By Ernest Hemingway. Kenyon Review (Winter 1953). Rpt. in Hemingway: The Critical Heritage. Ed. Jeffrey Meyers. London: Routledge, 1982. 417-21.*

Earle, David M. "9. Magazines." In Ernest Hemingway in Context. Ed. Debra A. Moddelmog and Suzanne del Gizzo. Cambridge: Cambridge UP, 2013. 86-96.*

Eastman, Max. Rev. of Death in the Afternoon. New Republic (June 1933). Rpt. in Hemingway: The Critical Heritage. Ed. Jeffrey Meyers. London: Routledge, 1982. 172-80.*

Eby, Carl P. Hemingway's Fetishism: Psychoanalysis and the Mirror of Manhood. (Psychoanalysis and Culture). Albany: SUNY, 1999.

_____. "'Come Back to the Beach Ag'in David Honey': Hemingway's Fetishization of Race in The Garden of Eden Manuscripts." In Hemingway's The Garden of Eden: Twenty-five Years of Criticism. Ed. Suzanne del Gizzo and Frederic J. Svoboda. Kent (OH): Kent State UP, 2012. 237-54.*

_____. "17. Literary Movements." In Ernest Hemingway in Context. Ed. Debra A. Moddelmog and Suzanne del Gizzo. Cambridge: Cambridge UP, 2013. 173-82.*

_____. "'Who Is the Destructive Type? ' Re-Reading Literary Jealousy and Destruction in The Garden of Eden." Hemingway Review 33.2 (Spring 2014): 99-106.*

Eby, Carl P., and Mark Cirino. "Introduction: Imagining Spain." In Hemingway's Spain: Imagining the Spanish World. Ed. Carl P. Eby and Mark Cirino. Kent (OH): Kent State UP, 2016. 1-8.*

_____, eds. Hemingway's Spain: Imagining the Spanish World. (OH): Kent State UP, 2016.*

Eguíluz Ortiz de Latierro, Federico. "Hemingway, España y el sentimiento trágico de la vida." In Leer a Hemingway. Special issue of Puertas a la Lectura no. 11 (Nov. 2000): 43-50.*

_____. "Hemingway y su obra de inspiración española." In Hemingway: 75 años de Fiesta: Cursos de Verano 2001. Coord. José María Romera. Pamplona: Universidad Pública de Navarra, 2005. 27-39.*

Ehrenburg, Ilya. Obituary of Ernest Hemingway. Saturday Review (July 1961). Rpt. in Hemingway: The Critical Heritage. Ed. Jeffrey Meyers. London: Routledge, 1982. 433-37.*

Elliott, Ira. "Performance Art: Jake Barnes and 'Masculine' Signification." In Ernest Hemingway's The Sun Also Rises: A Casebook. Oxford: Oxford UP, 2002. 63-80.*

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