Ernest Hemingway



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Lee, Robert, ed. Ernest Hemingway: New Critical Essays. Totowa (NJ): Barnes, 1983.

Leff, Leonard J. "29. Publishing Industry and Scribner's." In Ernest Hemingway in Context. Ed. Debra A. Moddelmog and Suzanne del Gizzo. Cambridge: Cambridge UP, 2013. 297-306.*

Leonard, John. "The Garden of Eden: A Question of Dates." In Hemingway's The Garden of Eden: Twenty-five Years of Criticism. Ed. Suzanne del Gizzo and Frederic J. Svoboda. Kent (OH): Kent State UP, 2012. 58-74.*

Lewis, Nghana tamu. "31. Race and Ethnicity: Africans." In Ernest Hemingway in Context. Ed. Debra A. Moddelmog and Suzanne del Gizzo. Cambridge: Cambridge UP, 2013. 315-22.*

Lewis, Percy Wyndham. "The Dumb Ox." Life and Letters (April 1934): 33-45. Rpt. in Men without Art. 1934. New York: Russell and Russell, 1964.

Lewis, Robert W. Hemingway on Love. 1965.

_____. Hemingway in Italy and Other Essays. 1990.

_____. A Farewell to Arms: The War of the Words. 1992.

_____. Reading Hemingway's A Farewell to Arms. (Reading Hemingway series). Kent State UP, c. 2014.

_____. A Farewell to Arms: The War of the Words. New York: Twayne, 1991. Rev. in The Hemingway Review 12.1 (Fall 1992).

_____. "'Long Time Ago Good, Now No Good: Hemingway's Indian Stories." In New Critical Approaches to the Short Stories of Ernest Hemingway. Ed. Jackson J. Benson. Durham: Duke UP, 1990. 200-13.*

_____, ed. "The Nick Adams Review." In North Dakota Quarterly 63.3 (Summer 1996).

_____, ed. Hemingway: Life and Art. North Dakota Quarterly 70.4 (Fall 2003).*

Lid, Richard W. "Hemingway and the Need for Speech." Modern Fiction Studies 8 (1962-63): 401-7.

Lockridge, Ernest. "'Primitive Emotions': A Tragedy of Revenge Called The Sun Also Rises."Journal of Narrative Technique 20.1 (1990): 42-55.*

_____. "Faithful in Her Fashion: Catherine Barkley, The Invisible Hemingway Heroine." The Journal of Narrative Technique 18.2 (1988):170-178.*

Lodge, David. "Analysis and Interpretation of the Realist Text: Ernest Hemingway's 'Cat in the Rain'." In Lodge, Working with Structuralism. London: Routledge, 1981. 17-36.

Lounsberry, Barbara. "The Holograph Manuscript of Green Hills of Africa." Hemingway Review 12.2 (Spring 1993): 36-45.*

Lynn, Kenneth S. Hemingway. New York: Simon and Schuster, 1987.

_____. Hemingway. London: Penguin-Sphere, 1989.*

_____. Hemingway. Cambridge (MA): Harvard UP, 1995.

_____. Hemingway. Trans. Anne Wicke and Marc Anfreville. Paris: Payot, 1990.

_____. "The Troubled Fisherman" ("Big Two-hearted-River"). In New Critical Approaches to the Short Stories of Ernest Hemingway. Ed. Jackson J. Benson. Durham: Duke UP, 1990. 149-55.*

Madsen, Diane Gilbert. Hunting for Hemingway.

Mailer, Norman. "A Wandering Prose for Hemingway, November 1960." In Mailer, Deaths for the Ladies and Other Disasters. New York: Putnam, 1964.

Main, Georgianna. Pip-Pip to Hemingway in Something from Marge. Blomington (IN): Universe, 2010.

Mamoli Zorzi, Rosella, and Gianni Moriani, with Arrigo Cipriani. In Venice and the Veneto with Ernest Hemingway. Venice: Dipartimento di Studi Linguistici e Culturali Comparati, U Ca'Foscari di Venezia, Venice International University / Supernova, 2011.*

Maier, Kevin. "26. Hunting." In Ernest Hemingway in Context. Ed. Debra A. Moddelmog and Suzanne del Gizzo. Cambridge: Cambridge UP, 2013. 267-76.*

Maiwald, Michael. "12. Foreign Bodies: Documenting Expatriate Involvement in 'Night Before Battle' and 'Under the Ridge'." In Hemingway's Spain: Imagining the Spanish World. Ed. Carl P. Eby and Mark Cirino. Kent (OH): Kent State UP, 2016. 174-91.*

Mandel, Miriam B. Reading Hemingway: The Facts in the Fictions. Metuchen (NJ), 1995.

_____. "Historia y poesía: el arte de Ernest Hemingway." In Hemingway: 75 años de Fiesta: Cursos de Verano 2001. Coord. José María Romera. Pamplona: Universidad Pública de Navarra, 2005. 59-73.*

_____. Hemingway's Death in the Afternoon: The Complete Annotations. Lanham (MD): Scarecrow P, 2002.



_____. Hemingway's The Dangerous Summer: The Complete Annotations. Forthcoming 2004.

_____. "Introduction." In A Companion to Hemingway's Death in the Afternoon. Ed. Miriam B. Mandel. Rochester (NY): Boydell & Brewer-Camden House, 2004. 1-17.*

_____. "Subject and Author: The Literary Backgrounds of Death in the Afternoon." In A Companion to Hemingway's Death in the Afternoon. Ed. Miriam B. Mandel. Rochester (NY): Boydell & Brewer-Camden House, 2004. 79-119.*

_____. Hemingway's The Dangerous Summer: The Complete Annotations. Lanham (MD), Toronto, Plymouth: Scarecrow Press, 2008.*

_____. "Introduction." In Hemingway and Africa. Ed. Miriam B. Mandel. Rochester (NY): Camden House, 2011. 1-37.*

_____. "Introduction." In Hemingway and Africa. Ed. Miriam B. Mandel. Rochester (NY): Camden House, 2011. 1-37.*

_____. "22. Bullfighting." In Ernest Hemingway in Context. Ed. Debra A. Moddelmog and Suzanne del Gizzo. Cambridge: Cambridge UP, 2013. 227-36.*

_____, ed. A Companion to Hemingway's Death in the Afternoon. (Studies in American Literature and Culture). Rochester (NY): Boydell & Brewer-Camden House, 2004.*

_____, ed. Hemingway and Africa. Rochester (NY): Camden House, 2011.*

Mandel, Miriam B., and Jeremiah M. Kitunda. "Hemingway's Reading in Natural History, Hunting, Fishing, and Africa." In Hemingway and Africa. Ed. Miriam B. Mandel. Rochester (NY): Camden House, 2011. 41-84.*

Marcus, Phillip L. "'I Knew that Underneath Mr. H. and I Were Really a Lot Alike': Reading Hemingway's The Old Man and the Sea with Elizabeth Bishop's The Fish." Hemingway Review 33.1 (Fall 2013): 27-43.*

Marín Ruiz, Ricardo. "A Spanish Portrait: Spain and Its Connections with the Thematic and Structural Dimensions of For Whom the Bell Tolls." Journal of English Studies 8 (2010): 105-18.*

_____. Tres visiones de España durante la guerra civil: L'Espoir, Homage to Catalonia y For Whom the Bell Tolls. Murcia: Nausicaa, 2011.

Martin, Lawrence H., Jr. "Crazy in Sheridan: Hemingway's 'Wine of Wyoming' Reconsidered." In New Critical Approaches to the Short Stories of Ernest Hemingway. Ed. Jackson J. Benson. Durham: Duke UP, 1990. 370-73.*

_____."Hemingway and Luis Quintanilla." North Dakota Quarterly 70.4 (Fall 2003): 119-39. (Special issue on Hemingway: Life and Art).*

_____. "The Storm, the Vets, and the Author." North Dakota Quarterly 73.1-2 (Winter / Spring 2006): 75-86.*

_____. Rev. of Hemingway's Guns: The Sporting Arms of Ernest Hemingway. By Silvio Calabi, Steve Helsley, and Robert Sanger. Hemingway Review 30.2 (Spring 2011): 123-26.*

Martin, Robert A. "Hemingway and the Ambulance Drivers in A Farewell to Arms." In Ernest Hemingway: Six Decades of Criticism. Ed. Linda W. Wagner. East Lansing: Michigan State UP, 1987. 195-202.*

Martin, Wendy. "Brett Ashley as New Woman in The Sun Also Rises." In Ernest Hemingway's The Sun Also Rises: A Casebook. Oxford: Oxford UP, 2002. 47-62.*

Martín Ortiz, Patricia. "Ernest Hemingway: To Have and Have Not." In Leer a Hemingway. Special issue of Puertas a la Lectura no. 11 (Nov. 2000): 76-79.*

Martos Núñez, Eloy, ed. Puertas a la Lectura. Universidad de Extremadura - Vicerrectorado de Acción Cultural - Servicio de Publicaciones - Seminario Interfacultativo de Lectura. No. 11 (Nov. 2000): Leer a Hemingway.

McCaffery, John M., ed. Ernest Hemingway: The Man and His Work. New York: Cooper Square Publishers, Inc., 1969.

McCann, Richard. "To Embrace or Kill: Fathers and Sons." In New Critical Approaches to the Short Stories of Ernest Hemingway. Ed. Jackson J. Benson. Durham: Duke UP, 1990. 266-74.*

McDuffie, Bradley R. "For Ernest with Love and Squalor: The Influence of Ernest Hemingway and J D. Salinger." Hemingway Review 30.2 (Spring 2011): 88-98.

McFarland, Ron. Rev. of Hunting for Hemingway. By Diane Gilbert Madsen. Hemingway Review 30.2 (Spring 2011): 127-28.*

McKay, Claude. "On Hemingway." In Ernest Hemingway: Six Decades of Criticism. Ed. Linda W. Wagner. East Lansing: Michigan State UP, 1987. 167-70.*

McLain, Richard D. "Semantics and Style—With the Example of Quintessential Hemingway." In Ernest Hemingway: Six Decades of Criticism. Ed. Linda W. Wagner. East Lansing: Michigan State UP, 1987. 155-62.*

Mehring, Frank. "Between Ngàje Ngài and Kilimanjaro: A Rortian Reading of Hemingway's African Encounters." In Hemingway and Africa. Ed. Miriam B. Mandel. Rochester (NY): Camden House, 2011. 212-36.*

Melling, Philip H. "Memorial Landscape: Hemingway's Search for Indian Roots." In Hemingway and Africa. Ed. Miriam B. Mandel. Rochester (NY): Camden House, 2011. 239-72.*

Meredith, James H. "41. War: World War II." In Ernest Hemingway in Context. Ed. Debra A. Moddelmog and Suzanne del Gizzo. Cambridge: Cambridge UP, 2013. 402-8.*

_____. "9. Hemingway's Spain in Flames, 1937." In Hemingway's Spain: Imagining the Spanish World. Ed. Carl P. Eby and Mark Cirino. Kent (OH): Kent State UP, 2016. 146-51.*

Messent, Peter. Ernest Hemingway. London: Macmillan, 1992.

_____. "'The Real Thing'? Representing the Bullfight and Spain in Death in the Afternoon." In A Companion to Hemingway's Death in the Afternoon. Ed. Miriam B. Mandel. Rochester (NY): Boydell & Brewer-Camden House, 2004. 123-41.*

_____. "25. Food and Drink." In Ernest Hemingway in Context. Ed. Debra A. Moddelmog and Suzanne del Gizzo. Cambridge: Cambridge UP, 2013. 257-66.*

Meyers, Jeffrey. "Hemingway's Primitivism and 'Indian Camp'." In New Critical Approaches to the Short Stories of Ernest Hemingway. Ed. Jackson J. Benson. Durham: Duke UP, 1990. 300-8.*

_____, ed. Hemingway: The Critical Heritage. Ed. Jeffrey Meyers. London: Routledge, 1982.

Michalczyk, John J., and Sergio Villani, eds. Malraux, Hemingway, and Embattled Spain. Special issue of North Dakota Quarterly 60.2 (Spring 1992). Rev. in Hemingway Review 13.1 (1993).

Moddelmog, Debra A. "The Unifying Consciousness of a Divided Conscience: Nick Adams as Author of In Our Time." In New Critical Approaches to the Short Stories of Ernest Hemingway. Ed. Jackson J. Benson. Durham: Duke UP, 1990. 17-32.*

_____. "Reconstructing Hemingway´s Identity: Sexual Politics, the Author, and the Multicultural Classroom."Narrative 1.3 (1993): 187-206.*

_____. Reading Desire: In Pursuit of Ernest Hemingway. Ithaca (NY): Cornell UP, 1999.

_____. "Contradictory Bodies in The Sun Also Rises." In Ernest Hemingway's The Sun Also Rises: A Casebook. Oxford: Oxford UP, 2002. 155-66.*

_____. "Protecting the Hemingway Myth: Casting Out Forbidden Desires from The Garden of Eden." In Hemingway's The Garden of Eden: Twenty-five Years of Criticism. Ed. Suzanne del Gizzo and Frederic J. Svoboda. Kent (OH): Kent State UP, 2012. 255-90.*

_____. "36. Sex, Sexuality, and Marraiage." In Ernest Hemingway in Context. Ed. Debra A. Moddelmog and Suzanne del Gizzo. Cambridge: Cambridge UP, 2013. 357-66.*

Moddelmog, Debra A., and Suzanne del Gizzo, eds. Ernest Hemingway in Context. Cambridge: Cambridge UP, 2013.* (Biography and Life; Representatinos: In His Time; Representations: In Our Time; Intellectual and Artistic Movements and Influences; Popular, Cultural, and Historical Contexts; Resources).

Monteiro, George. "Hemingway, O. Henry, and the Surprise Ending." Prairie Schooner 41 (Winter 1973/74).

_____. "Hemingway, O. Henry, and the Surprise Ending." In Twentieth-Century Literary Criticism. Ed. Dennis Poupard et al Detroit: Gale Research, 1986.

_____. "Hemingway, O. Henry, and the Surprise Ending." In Twentieth-Century Literary Criticism. Ed. Carolyn Riley and Phyllis Carmel Mendelson. Detroit: Gale Research, 1976.

_____. "The Limits of Professionalism: A Sociological Approach to Faulkner, Fitzgerald, and Hemingway." Criticism 15 (Spring 1973).

_____. "The Education of Ernest Hemingway." Journal of American Studies 8 (April 1974).

_____. "The Education of Ernest Hemingway." In Critical Essays on Henry Adams. Ed. Earl N. Harbert. Boston: G. K. Hall, 1981.

_____. "Dating the Events of 'The Three Day Blow'." Fitzgerald/Hemingway Annual. Ed. Margaret M. Duggan and Richard Layman. Detroit: Gale Research, 1977.

_____. "Dating the Events of 'The Three Day Blow'." In Critical Essays on Ernest Hemingway's In Our Time. Boston: G. K. Hall, 1983.

_____. "'This is My Pal Bugs': Ernest Hemingway's 'The Battler'." Studies in Short Fiction 23 (Spring 1986).

_____. "'This Is My Pal Bugs': Ernest Hemingway's 'The Battler'." In New Critical Approaches to the Short Stories of Ernest Hemingway. Ed. Jackson J. Benson. Durham: Duke UP, 1990. 224-28.*

_____. "Ernest Hemingway, Psalmist." Journal of Modern Literature 14 (Summer 1987).

_____. "The Major's Therapy: Ernest Hemingway's 'In Another Country,'" Journal of Medical Humanities 9 (Fall/Winter 1988).

_____. "Grace, Good Works, and the Hemingway Ethic." In The American Short Story: New Perspectives. Ed. C. González Groba et al. Universidade de Santiago de Compostela, 1997. 53-76.*

_____, ed. Critical Essays on Ernest Hemingway's A Farewell to Arms. New York: G. K. Hall, 1994.

Montes, Catalina. "Algunas consideraciones sobre la relación Dos Passos-Hemingway, cincuenta años después de la ruptura de su amistad en 1937." Atlantis 9 (1987): 151-6.

Montgomery, Martin. "Language, Character and Action: a Linguistic Approach to the Analysis of Character in a Hemingway Short Story." In Spoken and Written Discourse. Ed. J. M. Sinclair, M. Hoey and G. Fox. London: Routledge, 1993. 127-142.

Moore, Betty. "Ernest Hemingway and Spain: Growth of a 'Spanish' Prose Style." ES 9 (1979): 227-54.

Morgan, Kathleen. Tales Plainly Told: The Eyewitness Narratives of Hemingway and Homer. Columbia (SC): Camden House, 1990. Rev. in Hemingway Review 11.2 (1992).

Morgan, Kathleen, and Luis Losada. "Santiago in The Old Man and the Sea: A Homeric Hero." The Hemingway Review 12.1 (Fall 1992): 35-51.*

Mosher, Harold F., Jr. "The Two Styles of Hemingway's The Sun Also Rises." Fitzgerald / Hemingway Annual 2 (1971): 262-73.

Muñoz Calvo, Micaela. "El viejo Hemingway en el mar de la novela." Actas de los V Encuentros de Literatura Norteamericana. Ed. Manuel Górriz Villarroya. Teruel: Colegio Universitario de Teruel, Departamento de Inglés, 1986. 25-32.*

Murad, David. Rev. of Hemingway and the Black Renaissance. Ed. Gary Edward Holcomb and Charles Scruggs. Hemingway Review 33.1 (Fall 2013): 117-19.*

Murphy, Charlene M. "Hemingway, Winslow Homer, and Islands in the Stream: Influence and Tribute." Hemingway Review 13.1 (1993): 76-85.*

_____. Rev. of Winston Conrad, Hemingway's France: Images of the Lost Generation; Michael Palin, Michael Palin's Hemingway Adventure; H. Lea Lawrence, A Hemingway Odyssey: Special Places in His Life. The Hemingway Review 20.1 (Fall 2000): 113-19.*

Naessil, Anders. Rites and Rhythms: Hemingway--A Genuine Character. New York: Vintage, 1988.*

Nagel, Gwen L. "A Tessera for Frederic Henry: Imagery and Recurrence in A Farewell to Arms." In Ernest Hemingway: Six Decades of Criticism. Ed. Linda W. Wagner. East Lansing: Michigan State UP, 1987. 187-94.*

Nagel, James. "Catherine Barkley and Retrospective Narration in A Farewell to Arms." In Ernest Hemingway: Six Decades of Criticism. Ed. Linda W. Wagner. East Lansing: Michigan State UP, 1987. 171-86.*

_____. "Brett and the Other Women in The Sun Also Rises."In The Cambridge Companion to Hemingway. Ed. Scott Donaldson. Cambridge: Cambridge UP, 1996. 87-108.*

_____.- "The Hunting Story in The Garden of Eden." In Hemingway's The Garden of Eden: Twenty-five Years of Criticism. Ed. Suzanne del Gizzo and Frederic J. Svoboda. Kent (OH): Kent State UP, 2012. 94-102.*

Nahal, Ch. The Narrative Pattern in Ernest Hemingway’s Fiction. Rutherford: Fairleigh Dickinson UP, 1972

Nakjavani, Erik G. R. "Knowledge as Power: Robert Jordan as an Intellectual Hero." Hemingway Review 7.3 (1988): 131-46.*

_____. "The Prose of Life: Lived Experience in the Fiction of Hemingway, Sartre, and Beauvoir." North Dakota Quarterly 70.4 (Fall 2003): 140-65. (Special issue on Hemingway: Life and Art).*

_____. "Hemingway's African Book of Revelations: Dawning of a 'New Religion' in Under Kilimanjaro." In Hemingway and Africa. Ed. Miriam B. Mandel. Rochester (NY): Camden House, 2011. 273-98.*

Nänny, Max. "Ernest Hemingway's Architecture of Prose." XXI Congreso AEDEAN.

_____. "New Light on Ernest Hemingway's Short Story Fragment 'Three Shots'." North Dakota Quarterly 70.4 (Fall 2003): 88-93. (Special issue on Hemingway: Life and Art).*

Narbeshuber, Lisa. "18. Visual Arts." In Ernest Hemingway in Context. Ed. Debra A. Moddelmog and Suzanne del Gizzo. Cambridge: Cambridge UP, 2013. 183-92.*

Nickel, Mattew C. "35. Religion." In Ernest Hemingway in Context. Ed. Debra A. Moddelmog and Suzanne del Gizzo. Cambridge: Cambridge UP, 2013. 347-56.*

_____. Hemingway's Dark Night: Catholic Influences and Intertextualities in the Work of Ernest Hemingway. Wickford (RI): New Street Communications, 2013.

_____. Rev. of Pip-Pip to Hemingway in Something from Marge. By Georgianna Main. Hemingway Review 33.2 (Spring 2014): 161-64.

Nolan, Charles J., Jr. "Hemingway's Women's Movement." In Ernest Hemingway: Six Decades of Criticism. Ed. Linda W. Wagner. East Lansing: Michigan State UP, 1987. 209-20.*

Nuffer, David. "The Sendoff of Pappy and Tillie." North Dakota Quarterly 73.1-2 (Winter / Spring 2006): 211-14.*

O'Brien, Timothy D. "Allusion, Word-Play, and the Central Conflict in 'Hills Like White Elephants." The Hemingway Review 12.1 (Fall 1992): 19-25.*

O'Rourke, Sean. "Evan Shipman and 'The Gambler, the Nun, and the Radio'." Hemingway Review 13.1 (1993): 86-89.*

Oldsey, Bernard "Hemingway's Beginnings and Endings." In Ernest Hemingway: Six Decades of Criticism. Ed. Linda W. Wagner. East Lansing: Michigan State UP, 1987. 113-38.*

_____. "El pueblo español: 'The Capital of the World'." In New Critical Approaches to the Short Stories of Ernest Hemingway. Ed. Jackson J. Benson. Durham: Duke UP, 1990. 238-44.*

Oliver, Charles M. "44. The Hemingway Review and The Ernest Hemingway Foundation and Society." In Ernest Hemingway in Context. Ed. Debra A. Moddelmog and Suzanne del Gizzo. Cambridge: Cambridge UP, 2013. 429-34.*

Osmani, Kerstin Möller. In einem anderen Land: Ernest Hemingway und die "Junge Generation." (Kieler Beiträge zur Anglistik und Amerikanistik, neue Folge, 13). Würzburg: Verlag Königshausen & Neumann.

Ott, Mark P. "24. Fishing." In Ernest Hemingway in Context. Ed. Debra A. Moddelmog and Suzanne del Gizzo. Cambridge: Cambridge UP, 2013. 247-56.*

_____. Rev. of The Letters of Ernest Hemingway, vol. 2. Ed. Sandra Spanier, Albert Defazio III, and Robert Trogdon. Cambridge: Cambridge UP, 2013. ALH Online Review, Series II (2015).*



http://oxfordjournals.org/our_journals/alhist/mark%20ott%20online%20review.pdf

2015


_____. "10. Tanks, Butterflies, Realists, Idealists: Hemingway, Dos Passos, and the Imperfect Ending in Spain of 1937-1938." In Hemingway's Spain: Imagining the Spanish World. Ed. Carl P. Eby and Mark Cirino. Kent (OH): Kent State UP, 2016. 152-61.*

Parker, Dorothy. On Hemingway. New Yorker 3 (29 oct. 1927): 92-4.

_____. Review of Men Without Women. In Ernest Hemingway: Six Decades of Criticism. Ed. Linda W. Wagner. East Lansing: Michigan State UP, 1987. 163-66.*

Parker, Hershel. "Textual Criticism and Hemingway." In Hemingway: Essays of Reassessment. Ed. Frank Scafella. New York: Oxford UP, 1991. 17-32.*

Pavloska, Susanna. "Pregnant Parataxis: Teaching Hemingway's 'Hills Like White Elephants'." Doshisha Studies in Language and Culture 4.2 (2001): 467-87.*

Penas Ibáñez, Beatriz. "Hemingway modernista (1925-1950): El sentido trágico de la memoria y de la historia." Cuadernos de Filología Inglesa 15.1/2 (1989): 143-55.*

_____. Análisis semiótico de los aspectos taurinos de la obra de Ernest Hemingway. Zaragoza: Prensas Universitarias de Zaragoza / Instituto de Estudios Riojanos, 1990.*

_____. "El continuum modernista-postmodernista: The Garden of Eden, clímax de un proceso de cambio literario (1946-1961)." Actas de las I Jornadas de Lengua y Literatura Inglesa y Norteamericana. Logroño: Colegio Universitario de La Rioja, 1990. 41-62.*

_____. "On Hemingway's Use of Spanish in Death in the Afternoon." Actas de las II Jornadas de Lengua y Literatura Inglesa y Norteamericana. Logroño: Colegio Universitario de La Rioja, 1990. 207-17.*

_____. "The Garden of Eden: La novedad de Hemingway de la postguerra (1946-1961)." In Del mito a la ciencia: La novela norteamericana contemporánea. Ed. Francisco Collado. Zaragoza: Prensas Universitarias, 1990. 27-55.*

_____. "On Hemingway's Use of Spanish in Death in the Afternoon." Actas de las II Jornadas de Lengua y Literatura Inglesa y Norteamericana. Ed. Pedro Santana. Logroño: Colegio Universitario de La Rioja, 1993. 207-18.*

_____. "Lexical Economy vs. Objective Truth in Hemingway's Writing." In Drunk with Words: Perspectives on the English Lexicon. Ed. María Pilar Navarro and Javier Martín. Zaragoza: Universidad de Zaragoza, 1993. 51-62.*

_____. "A Hemingway-Vallejo Analogue." The Hemingway Review (University of Idaho Press/Ernest Hemingway Foundation, Spring 1994).*

_____. "Between Melancholia and Jubilant Novatio: Ernest Hemingway's Modernist Ambivalences." In De Baudelaire a Lorca: Acercamiento a la modernidad literaria. Ed. José Manuel Losada, Kurt Reichenberger and Alfredo Rodríguez López-Vázquez. Kassel: Edition Reichenberger, 1996. 637-57.*

_____. "Americanos en París: Hemingway y la vanguardia cultural de principios del siglo veinte." In Leer a Hemingway. Special issue of Puertas a la Lectura no. 11 (Nov. 2000): 85-95.*

_____. "Hemingway, la 'lost generation' y su aportación a la literatura moderna: relectura crítica." In Hemingway: 75 años de Fiesta: Cursos de Verano 2001. Coord. José María Romera. Pamplona: Universidad Pública de Navarra, 2005. 91-113.*

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