Expatriate Irish writer, leading modernist, experimental novelist; b. Rathgar, Dublin, oldest of 10 children, impoverished middle class; st with the Jesuits at Belvedere College, st



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A Bibliography of Literary Theory, Criticism and Philology



http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html

by José Ángel García Landa

(University of Zaragoza, Spain)


James Joyce (1882-1941)

(Expatriate Irish writer, leading modernist, experimental novelist; b. Rathgar, Dublin, oldest of 10 children, impoverished middle class; st. with the Jesuits at Belvedere College, st. University College Dublin, abandoned studies in Paris, averse to work, spendthrift and bohemian life, writer; left Ireland for good with common-law wife Nora Barnacle; l. Pola, then Trieste, trips to Dublin; 2 children, daughter Lucia with mental problems; accumulated creditors; moved to Zurich, subsidised by admirers; l. Paris after 1st WW; failing eyesight; admired experimental writer with a literary coterie including Samuel Beckett; moved to unoccupied France during WW2, d. Zurich)



Works
Joyce, James. Chamber Music. Ed. William York Tindall. New York: Columbia, 1954.

_____. Exiliados. Ediciones de Bolsillo.

_____. Dubliners. Short stories. London: Grant Richards, 1914.

_____. Dubliners. New York: Huebsch, 1916.

_____. Dubliners. Harmondsworth: Penguin, 1956.

_____. Dubliners. New York: Viking, 1961.

_____. Dubliners. London: Grant Richards, 1914; New York: Modern Library, 1926. Harmondsworth: Penguin.

_____. Dubliners: Text, Criticism, and Notes. Ed. Robert Scholes and A. Walton Litz. New York: Viking, 1967.

_____. Dubliners. London: Grafton, 1977.

_____. Dubliners. New York: Random House-Vintage International.

_____. Dubliners. Introd. and notes by Terence Brown. (Penguin Twentieth-Century Classics). Harmondsworth: Penguin, 1992.* Rpt. (Penguin Classics). 2000.*

_____. Dubliners. London: Paladin, 1990.

_____. Dubliners. Ware: Wordsworth, 1993.*

_____. Dublineses. Ed. Fernando Galván. Trans. Eduardo Chamorro. Madrid: Cátedra, 1993.

_____. Dubliners. Online at SparkNotes.*

http://pd.sparknotes.com/lit/dubliners/

2017


_____. Gente de Dublín. Trans. I. Abelló. Barcelona: Tartesos, 1942.

_____. "The Sisters." Short story. In Joyce, Dubliners. Ed. Terence Brown. London: Penguin, 2000. 1-10.*

_____. The Sisters. The Dead. Cáceres: Universidad de Extremadura.* (From Dubliners).

_____. "An Encounter." Short story. In Joyce, Dubliners. Ed. Terence Brown. London: Penguin, 2000. 11-20.*

_____. "Araby." Short story. 1905, pub. 1914. From Dubliners. In The Norton Introduction to Literature. 5th ed. Ed. Carl Bain et al. New York: Norton, 1991. 382-6.*

_____. "Araby." Story. In The Arnold Anthology of British and Irish Literature in English. Ed. Robert Clark and Thomas Healy. London: Arnold, 1997. 1242-46.*

_____. "Araby." In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2236-40.*

_____. "Araby." In Joyce, Dubliners. Ed. Terence Brown. London: Penguin, 2000. 21-28.*

_____. "Eveline." In Joyce, Dubliners. Ed. Terence Brown. London: Penguin, 2000.

_____. "Eveline." Short story, from Dubliners. In Perrine's Literature: Structure, Sound, and Sense. By Thomas R. Arp and Greg Johnson. 8th ed. Boston (MA): Thomson Learning-Heinle & Heinle, 2002. 218-22.*

_____. "After the Race." Short story. In Joyce, Dubliners. Ed. Terence Brown. London: Penguin, 2000. 35-42.*

_____. "Two Gallants." Story. In Joyce, Dubliners. Ed. Terence Brown. London: Penguin, 2000. 43-55.*

_____. "The Boarding House." Short story. In Joyce, Dubliners. Ed. Terence Brown. London: Penguin, 2000. 56-64.*

_____. "A Little Cloud." Short story. In Joyce, Dubliners. Ed. Terence Brown. London: Penguin, 2000. 65-81.*

_____ "Counterparts." Short story. In Joyce, Dubliners. Ed. Terence Brown. London: Penguin, 2000. 82-94.*

_____. "Clay." Short story. In Joyce, Dubliners. Ed. Terence Brown. London: Penguin, 2000. 95-102.*

_____. "A Painful Case." Short story. In Joyce, Dubliners. Ed. Terence Brown. London: Penguin, 2000. 103-14.*

_____. "Ivy Day in the Committee Room." Story. In Joyce, Dubliners. Ed. Terence Brown. London: Penguin, 2000. 115-33.*

_____. "A Mother." Short story. In Joyce, Dubliners. Ed. Terence Brown. London: Penguin, 2000. 134-48.*

_____. "Grace." Story. Short story. In Joyce, Dubliners. Ed. Terence Brown. London: Penguin, 2000. 149-74.*

_____. "A Little Cloud." In Reading Narrative Fiction. By Seymour Chatman with Brian Attebery. New York: Macmillan, 1993.*

_____. The Dead. Ed. Daniel R. Schwarz. (Case Studies in Contemporary Criticism). Houndmills: Macmillan; Boston: St.Martin's-Bedford, 1994.

_____. "The Dead." Novella. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2240-68.*

_____. "The Dead." Story. In Joyce, Dubliners. Ed. Terence Brown. London: Penguin, 2000. 175-226.*

_____. Los muertos. Madrid: Alianza (Alianza Cien), 1994.

_____. Collected Poems. Huebsch, 1918. Viking Press.

_____. In Understanding Poetry. By Cleanth Brooks and Robert Penn Warren. Fort Worth: Harcourt, 1988.

_____. Stephen Hero. New York: New Directions, 1944. 1963.

_____. Stephen Hero. St Albans: Triad-Panther, 1977.

_____. A Portrait of the Artist as a Young Man. Novel. London: Egoist; New York: Huebsch, 1916.

_____. A Portrait of the Artist As a Young Man. 1916. New York: Modern Library, 1928.

_____. A Portrait of the Artist as a Young Man. Harmondsworth: Penguin, 1960. 1975. 1976.

_____. A Portrait of the Artist as a Young Man. London: Jonathan Cape, 1964.

_____. A Portrait of the Artist as a Young Man. Ed. Chester G. Anderson. New York: Viking, 1968.

_____. A Portrait of the Artist as a Young Man. London: Granada, 1977.

_____. A Portrait of the Artist as a Young Man. New York: Random House-Vintage International.

_____. A Portrait of the Artist as a Young Man. Ed. R. B. Kershner. (Case Studies in Contemporary Criticism). Basingstoke: Macmillan,1993.

_____. A Portrait of the Artist as a Young Man. Ware: Wordsworth.

_____. A Portrait of the Artist as a Young Man. Ed. Jeri Johnson. (Oxford World's Classics). Oxford: Oxford UP, 2000.*

_____. A Portrait of the Artist as a Young Man (Retrato del Artista Adolescente). Ed. José Antonio Alvarez Amorós. Salamanca: Ed. Colegio de España, 1995.

_____. Exiliados. Ed. Manuel Almagro. Trans. Fernando Toda. Madrid: Cátedra, 1987.

_____ . Ulysses. Paris: Shakespeare & Co., 1922.*

_____. Ulysses. Facsimile of the Rosenbach manuscript and the 1922 edition. 3 vols. 1975.

_____. Ulysses. Ed. Morris L. Ernst. New York: Random House /Modern Library, 1934. New ed. 1961. 1990.

_____. Ulysses. London: Bodley Head, 1937. 1960.

_____. Ulysses. New York: Modern Library, 1961.

_____. Ulysses. New American Library.

_____. Ulysses. Harmondsworth: Penguin, 1969.*

_____. Ulysses. Harmondsworth: Penguin, 1992. (Reissue of Bodley Head 1960).

_____. Ulysses: A Facsimile of the Manuscript. 3 vols. New York: Farrar-Octagon, 1975.

_____. Ulysses. Franklin Library, 1976. 1979.

_____. Ulysses. Book of the Month Club. 1982.

_____. Ulysses. (Oxford Library of the World's Great Books).

_____. Ulysses: A Critical and Synoptic Edition. 3 vols. Ed. Hans Walter Gabler, with Wolfhard Steppe and Claus Melchior. 3 vols. New York: Garland, 1984.

_____. Ulysses: The Corrected Text. Ed. Hans Walter Gabler, with Wolfhard Steppe and Claus Melchior. New York: Random House; Harmondsworth: Penguin, 1986.*

_____. Ulysses. New York: Random House-Vintage International.

_____. Ulysses: A Text for Teaching. Ed. Jeri Johnson. Oxford: Oxford UP, 1993.

_____. Ulysses. Ed. John Kidd. New York: Norton, 1994.

_____. Ulysses: A Reader's Edition. Ed. Danis Rose. London: Macmillan-Picador, 1997.*

_____. Selections from Ulysses. In The Arnold Anthology of British and Irish Literature in English. Ed. Robert Clark and Thomas Healy. London: Arnold, 1997. 1246-70.*

_____. From Ulysses. [Proteus; Lestrygonians] In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2269-2309.*

_____. Ulysse. Trans. Auguste Morel. Rev. Valery Larbaud, Stuart Gilbert and James Joyce. Paris: Gallimard, 1957.

_____. Ulises. Trans. J. Salas Subirat. Buenos Aires: Rueda, 1966.

_____. Ulises. Trans. José María Valverde. Barcelona: Lumen, 1989.

_____. Ulises. Trans. José María Valverde. 2 vols. (Narrativa Actual, 26, 27). Barcelona: RBA, 1995.*

_____. Ulysses. Illust. Eduardo Arroyo. Introd. Julián Ríos. Madrid: Círculo de Lectores, 1994.

_____. Ulysses. Spanish trans. Ed. J. Campuzano. Google eBook. Online at Google books:

https://books.google.es/books?id=y7ZPBAAAQBAJ

2015


_____. Ulysses. Chinese trans. Jin Di. Beijing and Taipei, 1980-2001. (Best Book Prize, Lianho Pao, Taipei, 1994; National Rainbow Award for Superior Literary Translation (Chinese Association of Writers, 1997), National Prize for Foreign Literary Work (Chinese Bureau of Publications and Society of Publishers in Foreign Literature, 1998).

_____. Uliss. Russian trans. Viktor Khinkis and Sergei Khoruzhii. Rev. Irina Plumlee. James Joyce Quarterly 32.3-4 (Spring / Summer 1995): 766-71.*

_____. (Ulysses). Turkish translation. Trans. Nezvat Erkmen. 1996.

_____. "Definición del fantasma." From Ulysses. 1921. In Antología de la Literatura Fantástica. Ed. Jorge Luis Borges, Silvina Ocampo and Adolfo Bioy Casares. 1965. Barcelona: Edhasa, 1983. 1989. 1991. 221.*

_____. "May Goulding." From Ulysses. 1921. In Antología de la Literatura Fantástica. Ed. Jorge Luis Borges, Silvina Ocampo and Adolfo Bioy Casares. 1965. Barcelona: Edhasa, 1983. 1989. 1991. 221.*

_____. Pomes Penyeach. 1966.

_____. "A Prayer." Poem. In Joyce, Poems Penyeach.

_____. Collected Poems. 1937.

_____. Collected Poems. New York: Viking, 1957.

_____. Finnegans Wake. Novel. New York: Viking, 1939.

_____. Finnegans Wake. London: Faber, 1950. 1964. 1971.

_____. Finnegans Wake. Harmondsworth: Penguin, 1976.

_____. Finnegans Wake. (Penguin Classics). London: Penguin, 1999.

_____. Finnegans Wake. Select. and trans. Víctor Pozanco. Barcelona: Lumen, 1993?

_____. Giacomo Joyce.

_____. A Shorter Finnegans Wake. Ed. Anthony Burgess.

_____. Anna Livia Plurabelle (Finnegans Wake I.viii.) Bilingual ed. Ed. Francisco García Tortosa. Trans. Francisco García Tortosa, Ricardo Navarrete Franco and José María Tejedor Cabrera. Madrid: Cátedra, 1992.

_____. From Finnegans Wake. [from "Anna Livia Plurabelle"]. 1923-38, pub. 1939. In The Norton Anthology of English Literature. 7th ed. Ed. M. H. Abrams, with Stephen Greenblatt et al. New York: Norton, 1999. 2.2310-13.*

_____. Trans. from Finnegans Wake by James Joyce (Penguin Classics, 1999. p. 627-28). Trans. Cecilia Fernández Santomé. Miscelánea 42 (2010): 139-40.*

_____. "She Cries over Rahoon." Poem. Poemhunter



http://www.poemhunter.com/poem/she-weeps-over-rahoon/

2014


_____. The Portable James Joyce. Ed. Harry Levin. New York: Viking, 1947.

_____. The Essential James Joyce. Ed. Harry Levin. 1948. Harmondsworth: Penguin, 1963.

_____. The Essential James Joyce. Ed. Harry Levin. London: Granada, 1981.

_____. Letters of James Joyce. Ed. Stuart Gilbert. London: Faber, 1957.

_____. The Letters of James Joyce. Vol. 1. Ed. Stuart Gilbert. New York: Viking, 1957. Vol.2. Ed. Richard Ellmann. London: Faber, 1966.

_____. The Critical Writings of James Joyce. Ed. Ellsworth Mason and Richard Ellman. New York: Viking, 1964.

_____. Selected Letters. Ed Richard Ellmann. New York: Viking, 1975.

_____. Scritti italiani. Milan: Mondadori, 1979.

_____. Critical Writings. London: Faber, 1979.

_____. Œuvres. Vol. 1. Ed. Jacques Aubert. (Bibliothèque de la Pléiade). Paris: Gallimard, 1982. (Épiphanies, Stephen héros, Portrait de l'artiste en jeune homme and others).

_____. Works in Progress. (Drafts for Finnegans Wake ). Edinburgh: Split Pea Press.

_____. Poems and Shorter Writings. Ed. Richard Ellmann, A. Walton Litz and John Whittier Ferguson. London: Faber, 1991.

_____. The Dead and Other Stories. (Penguin Audiobook). Harmondsworth: Penguin, 1995.

_____. Joycechoyce: The Poems in Verse and Prose of James Joyce. Ed. A. Norman Jeffares and Brendan Kennelly. Rev. by Sebastian D. G. Knowles. James Joyce Quarterly 32.3-4 (Spring / Summer 1995): 777-83.

_____. Political, Critical, and Occasional Writings. Ed. K. Barry. 1995.

_____. Obras completas. Madrid: Aguilar-Santillana, 2004.

Joyce, J. Daniel Defoe. Trans. Joseph Prescott. Buffalo: SUNY, 1964.


Biography
Abrams, M. H., ed. "James Joyce." (From the Norton Anthology of English Literature). In García Landa, Vanity Fea 14 Dec. 2012.*

http://vanityfea.blogspot.com.es/2012/12/james-joyce.html

2012


Beja, Morris. James Joyce: A Literary Life. Columbus: Ohio State UP, 1992.

Concha, Berta Inés. "Siete pies de foto para Nora Joyce." Quimera 127 (1994): 49-54.

Ellmann, Richard. Introduction to My Brother's Keeper, by Stanislaus Joyce. New York: Viking, 1958.

_____. James Joyce. New York: Oxford UP, 1959.

_____. James Joyce. Rev. ed. Oxford: Oxford UP, 1982.

Joyce, Stanislaus. My Brother's Keeper. Ed. Richard Ellmann. London: Faber and Faber, 1982.

Lorenzo Modia, María Jesús. Rev. of A Portrait of the Artist as a Young Man. By James Joyce. Ed. J. A. Alvarez Amorós. Salamanca: Colegio de España, 1995. Papers on Joyce 3 (1997): 73-74.

Maddox, Brenda. Nora. London: Minerva-Mandarin, c. 1992.

_____. Nora Joyce. Barcelona: Plaza y Janés, 199-?

Marías, Javier. "James Joyce en sus gestos." In Marías, Vidas escritas. Madrid: Siruela, 1992. 33-38.

McCourt, John. The Years of Bloom: James Joyce in Trieste 1904-1920. Dublin: Lilliput, c. 2000.

Menand, Louis. "Silence, Exile, Punning: James Joyce's Chance Encounters." New Yorker 2 July 2012.*



http://www.newyorker.com/arts/critics/atlarge/2012/07/02/120702crat_atlarge_menand?currentPage=all

2013


Peake, C. H. James Joyce: The Citizen and the Artist. London: Arnold, 1977; Stanford (CA): Stanford UP, 1977.

Video


James Joyce: The Trials of Ulysses. Roundtable Productions, 2000. Online at YouTube (Unclemontie) 5 Oct. 2011.*

http://youtu.be/9oDLbjZTh4w

2012


Criticism
Ackroyd, Peter. Rev. of Joyce's Voices. By Hugh Kenner. The Spectator 9 Sept. 1978. Rpt. in Ackroyd, The Collection. Ed. Thomas Wright. London: Chatto & Windus, 2001. 64-65.*

Adams, H. "Critical Construction of the Literary Text: The Example of Ulysses." New Literary History 17 (1986): 595-619.

Adams, Martin. Afterjoyce: Studies in Fiction after Ulysses. New York: Oxford UP, 1977.

_____. James Joyce: Common Sense and Beyond. New York: Random House, 1966.

Adams, R. M. Surface and Symbol: The Consistency of James Joyce's Ulysses. New York, 1962.

Aguilera Linde, Mauricio D. "Carlyle in Ulysses." Papers on Joyce 3 (1997): 49-56.*

_____. "Subtexto Homérico y Nautical Drama: Algunos Problemas en la Descodificación Mítica de Ulysses." The Grove 5 (1998): 7-18.

Aldington, Richard. "Mr. James Joyce's Ulysses." In Aldington, Literary Studies and Reviews. London: Allen, 1924. 192-207.

Almagro Jiménez, Manuel. "Ulysses entre Escila y Caribdis." Atlantis 4.1-2 (1982).

_____. "One Thinks of Homer: Ulysses and the Epic Tradition." In Actas del VII Congreso de la Asociación Española de Estudios Anglo-Norteamericanos. Madrid: Ediciones de la UNED, 1986. 51-56.

_____. James Joyce y la épica moderna: Introducción a la lectura de Ulysses. Sevilla: Publicaciones de la Universidad de Sevilla, 1985.

_____. "Modernismo y/o postmodernismo en Ulysses." Revista Alicantina de Estudios Ingleses 5 (1992): 23-34.*

_____. "To Be and (or?) Not to Be: Joyce's Rewriting of Shakespeare." Papers on Joyce 2 (1996): 3-18.*

Altamiranda, Daniel. "Joyce en el espejo de Eco." Cuadernos de Literatura Inglesa y Norteamericana 1.1 (1996): 57-64.*

Alvarez Amorós, José Antonio. En torno al discurso narrativo de Dubliners. Alicante: Secretariado de Publicaciones de la Universidad de Alicante, 1986.

_____. Ulysses como paradigma de intertextualidad. 1990.

Anderson, Chester G."James Joyce's 'Tilly'". PMLA 73 (1958): 285-98.

Armstrong, Paul B. "James Joyce and the Politics of Reading: Power, Belief and Justice in Ulysses." BAS 1.1 (1996): 24-41.*

Arnold, Bruce. The Scandal of Ulysses. New York: St. Martin's, 1991.

Attridge, Derek. Joyce Effects: On Language, Theory, and History. Cambridge: Cambridge UP, 2000.

_____, ed. The Cambridge Companion to James Joyce. Cambridge: Cambridge UP.

Attridge, Derek, and Daniel Ferrer, eds. Post-Structuralist Joyce: Essays from the French. Cambridge: Cambridge UP, 1984.

Ballesteros González, Antonio. "Digression and Intertextual Parody in Nashe, Sterne, and Joyce." In Laurence Sterne in Modernism and Postmodernism: A Symposium. U of York, 1993.

_____. "Digression and Intertextual Parody in Nashe, Sterne and Joyce." In Laurence Sterne in Modernism and Postmodernism. Ed. David Pierce and Peter de Voogd. Amsterdam: Rodopi, 1996. 55-64.*

_____. "Metaliterary Parody in The Unfortunate Traveller and Ulysses." Papers on Joyce 1 (1995): 5-12.*

_____. "Retratos del Artista Adolescente: James Joyce y Ramón Pérez de Ayala." The Grove 5 (1998): 19-30.

_____. "Confesiones femeninas: Menchu y Molly frente a Mario y Leopold." In aedeanXXXIII, Cádiz 12-14 Nov. 2009. Ed. R. Galán et al. CD-ROM. Cádiz: Servicio de Publicaciones, U de Cádiz, 2010.*

_____. "Retratos del artiste manqué: Influencia de James Joyce en las obras autobiográficas de J. M. Coetzee." In A View from the South: Contemporary English and American Studies. (34th AEDEAN International Conference). Ed. José R. Ibáñez Ibáñez and José Francisco Fernández Sánchez. CD-ROM. Almería: AEDEAN / U de Almería / Ministerio de Ciencia e Innovación, 2011. 47-53.*

Barbeito Varela, Manuel. "John Huston's vs. James Joyce's The Dead." In Books in Motion: Adaptation, Intertextuality, Authorship. Ed. Mireia Aragay. Amsterdam and New York: Rodopi, 2005. 145-61.*

Barthelme, Donald. "After Joyce." Location 1 (1964).

Bauerle, Ruth H., ed. Picking Up Airs: Hearing the Music in Joyce's Text. Urbana: U of Illinois P, 1993. Rev. in English Literature in Transition 37.3 (1994).

Beach, Joseph Warren. "Post-Impressionism: Joyce." In Beach, The Twentieth Century Novel. New York: Appleton, 1932. 403-24.

Beck, U. "A Discourse Analysis of Passages of Interior Monologue from Ulysses by James Joyce to Elucidate Aspects of Bloom's and Stephen's Thought Patterns." Diss. U of Nottingham, 1977-78.

Beckman, Richard. "Perils of Marriage in Finnegans Wake." James Joyce Quarterly 33.1 (Fall 1996): 83-100.*

Beja, Morris. Joyce, the Artist Manqué, and Indeterminacy. Monaco: Princess Grace Irish Library Lectures.

_____. James Joyce: Dubliners and A Portrait of the Artist as a Young Man. (Casebooks series). Basingstoke: Macmillan, 1973.

Beja, Morris, Philip Herring, Maurice Harmon and David Norris, eds. James Joyce: The Centennial Symposium. Chicago, 1986.

Benstock, Bernard. "Paname-Turricum and Tarry Easty: James Joyce's Città immediata." Papers on Joyce 1 (1995): 13-20.*

_____, ed. The Seventh of Joyce. Bloomington: Indiana UP; Brighton: Harvester, 1982.

Bersani, Leo. The Culture of Redemption. Cambridge (MA): Harvard UP, 1990.

Besa Camprubí, Josep. "'The Dead', de James Joyce, desde la narratología." Cuadernos de Investigación Filológica 21-22 (1995-1996): 215-26.*

Bickerton, Derek. "James Joyce and the Development of Interior Monologue." Essays in Criticism 18 (1968): 32-46.

Blackmur, R. P. Eleven Essays on the European Novel. 1964.

Blades, John. How to Study James Joyce. (How to Study series). Houndmills: Macmillan, 1996.

Blamires, Harry. The Bloomsday Book: A Guide Through Joyce's Ulysses. London: Methuen.

_____. The New Bloomsday Book: A Guide Through Joyce's Ulysses: The Corrected Text. London: Routledge, 1988.

_____. The New Bloomsday Book: A Guide through Ulysses. London: Routledge, 1996.

Bloom, Harold. "Joyce's Agon with Shakespeare." In Bloom, The Western Canon. 1994. London: Macmillan, 1995. 413-32.*

_____. "Beckett . . . Joyce . . . Proust . . . Shakespeare." In Bloom, The Western Canon. 1994. London: Macmillan, 1995. 493-514.

Boheemen, C. van .Joyce, Modernity, and Its Mediation.1989.

Bollettieri Bosinelli, R. M., C. Marengo Vaglio, and Christine van Boheemen, eds. The Languages of James Joyce: Selected Papers from the International James Joyce Symposium, Venice, 12-18 June 1988. (Reviewed by Corinna del Greco Lobner). James Joyce Quaterly 31.2 (1994) .*

Bonnerot, Louis, et al. Ulysses cinquante ans après: témoignages franco-anglais sur le chef-d'œuvre de James Joyce. Paris: Didier, 1974.

Booker, M. Keith. "Finnegans Wake and The Satanic Verses: Two Modern Myths of the Fall." Critique 32.3 (1991): 190-207.

Booth, Wayne C. The Rhetoric of Fiction. Chicago: U of Chicago P, 1961.*

_____. Rhetoric of Fiction. London: U of Chicago P, 1969.

_____. The Rhetoric of Fiction. 2nd. ed. Chicago: U of Chicago P, 1983.

_____. The Rhetoric of Fiction. 2nd ed. Harmondsworth: Penguin, 1987.*

_____. La retórica de la ficción. Ed. and trans. Santiago Gubern Garriga-Nogues. Barcelona: Bosch, 1974.*


Catálogo: departamentos -> filologia inglesa -> garciala -> bibliography -> Authors.Schools -> Authors -> English.Authors -> J.English.authors
English.Authors -> Authors writing in English (Z) Helen Zahavi Works
English.Authors -> Gilbert Abbott À Beckett
English.Authors -> Robert McAlmon Works McAlmon, Robert, and Kay Boyle. Being Geniuses Together 1920-1930. London: Hogarth. D. R. McAnally Criticism
English.Authors -> English woman of letters, modernist writer and forerunner of feminist criticism, b at High Park Gate as Adeline Virginia Stephen, daughter of Leslie Stephen and Julia Duckworth
English.Authors -> On Samuel Beckett
English.Authors -> William Le Queux
English.Authors -> T. S. Eliot (1888-1965)
English.Authors -> Philip Boast Works
English.Authors -> Works Early works
J.English.authors -> A bibliography of Literary Theory, Criticism


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